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Kore-eda Hirokazu /
"Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda's work in relation to the same...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2023]
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| Colección: | Contemporary film directors
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Yamada, Marc, |e author. | |
| 245 | 1 | 0 | |a Kore-eda Hirokazu / |c Marc Yamada. |
| 246 | 3 | |a Koreeda Hirokazu | |
| 263 | |a 2307 | ||
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2023] | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Contemporary film directors | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Machine generated contents note: Acknowledgments -- Shared Spaces of Filmmaking -- Beyond Ozu and Loach: Kore-eda Hirokazu in Japanese and World Cinema -- Nonorganized Labor and Shared Spaces of Collaboration in Kore-eda's Early Documentaries -- Grifter Families and Networks of Exchange in Shoplifters -- Reimagining Masculine Bodies in Hana; Like Father, Like Son; and The Third Murder -- Body Moving: The Dynamics of Placemaking in Our Little Sister, Still Walking, and After the Storm -- Private and Public Bodies of Memory in After Life, The Truth, and Distance -- Interviews with Kore-eda Hirokazu -- Filmography -- Bibliography -- Index . | |
| 520 | |a "Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda's work in relation to the same socioeconomic concerns explored by other contemporary international filmmakers. Yamada reveals that a type of excess, not the minimalism associated with traditional aesthetics, defines Kore-eda's trademark humanism. This excess manifests in small moments when a desire for human connection exceeds the logic of the institutions and policies formed by the neoliberal values that have shaped modern-day Japan. As Yamada shows, Kore-eda captures the shared spaces formed by bodies that move, perform, and assemble in ways that express the humanistic impulse at the core of the filmmaker's expanding worldwide appeal"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Koreeda, Hirokazu, |d 1962- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Koreeda, Hirokazu, |d 1962- |2 fast |
| 650 | 0 | |a Motion pictures |z Japan |x History. | |
| 650 | 6 | |a Cinéma |z Japon |x Histoire. | |
| 650 | 7 | |a PERFORMING ARTS / Film / Direction & Production. |2 bisacsh | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / General |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Japan |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Yamada, Marc. |t Kore-eda Hirokazu |d Urbana : University of Illinois Press, [2023] |z 9780252045127 |w (DLC) 2022047674 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5406/jj.3790085 |z Texto completo |
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