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|a 2022059913
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|b eng
|e rda
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|d EBLCP
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|d P@U
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|d OCLCQ
|d OCLCO
|d JSTOR
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|a 1388496587
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|a 9781609389147
|q electronic book
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|a 160938914X
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|z 9781609389130
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|q acid-free paper
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|a (OCoLC)1359049449
|z (OCoLC)1388496587
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|a 22573/cats4410112
|b JSTOR
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|a PR6057.A319
|b Z594 2023
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|a UAMI
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|a Carroll, Shiloh,
|d 1980-
|e author.
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|a The medieval worlds of Neil Gaiman :
|b from Beowulf to Sleeping Beauty /
|c Shiloh Carroll.
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|a Iowa City :
|b University of Iowa Press,
|c [2023]
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|a 1 online resource (214 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references and index.
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|a Intro -- Contents -- Introduction. Neil Gaiman and Medievalism -- Chapter One. Sandman and Everyman -- Chapter Two. Crossing the Threshold: Sandman and Medieval Dream Visions -- Chapter Three. Abandon Hope: Sandman Goes to Hell -- Chapter Four. The Wizard Tim: The Books of Magic -- Chapter Five. "To the World": Good Omens and the Apocalypse -- Chapter Six. Poisoned Apples and Magic Roses: Fable and Fairy Tale -- Chapter Seven. "Go and Catch a Falling Star": Stardust and the Fairy-Tale Tradition -- Chapter Eight. "Loki Has Done This": Norse Mythology
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|a Chapter Nine. Odin and Low Key and Shadow: American Gods -- Chapter Ten. "Eating, Drinking, Killing, and Fornicating": Robert Zemeckis's Beowulf -- Chapter Eleven. Where Shadow Meets Grendel: Beowulf, "Bay Wolf," and "The Monarch of the Glen" -- Epilogue. "Make Good Art": Some Final Thoughts -- Acknowledgments -- Notes -- References -- Index
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|a "Neil Gaiman is one of the most widely-known writers of the 20th and 21st centuries, having produced fiction and nonfiction, fantasy and horror, television, comics and prose. He often attributes this eclecticism to his "compost heap" approach to writing, gathering influences from life, religion, literature, and mythology. The worlds of Neil Gaiman have their roots in thousands of years of human storytelling. The Middle Ages in particular have been enormously influential in content, form, and aesthetics for many of Gaiman's works. This book offers an introduction to the idea of medievalism, how the literature and culture of the Middle Ages have been reinterpreted and repurposed over the centuries, and how the layers of interpretation have influenced Gaiman's own use of medieval material. The book examines direct and indirect influences, from Norse mythology and Beowulf to medieval romances and fairy tales, in order to provide context and background to expand and enrich one's understanding and appreciation of Gaiman's work"--
|c Provided by publisher.
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|a Description based on online resource; title from digital title page (viewed on July 12, 2023).
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Gaiman, Neil
|x Criticism and interpretation.
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|a Gaiman, Neil
|2 fast
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|a Medievalism in literature.
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|a Literature, Medieval
|x Influence.
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|a Médiévisme dans la littérature.
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|a Littérature médiévale
|x Influence.
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|a Literature, Medieval
|x Influence
|2 fast
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|a Medievalism in literature
|2 fast
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|a LITERARY CRITICISM / General
|2 bisacsh
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|a Criticism, interpretation, etc.
|2 fast
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|a Literary criticism
|2 fast
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|a Literary criticism.
|2 lcgft
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|a Critiques littéraires.
|2 rvmgf
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|i Print version:
|a Carroll, Shiloh, 1980-
|t Medieval worlds of Neil Gaiman
|d Iowa City : University of Iowa Press, [2023]
|z 9781609389130
|w (DLC) 2022059912
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/jj.4418222
|z Texto completo
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|a Project MUSE
|b MUSE
|n musev2_112592
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938 |
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|a YBP Library Services
|b YANK
|n 305551977
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|a ProQuest Ebook Central
|b EBLB
|n EBL30611067
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994 |
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|a 92
|b IZTAP
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