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JSTOR_on1358758163 |
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20231005004200.0 |
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230110t20232023nyua ob 001 0 eng |
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|a 2022049959
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|a DLC
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|a 1392348104
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|a 1942130880
|q electronic book
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|a 9781942130888
|q (electronic bk.)
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|z 9781942130871
|q hardcover
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|a (OCoLC)1358758163
|z (OCoLC)1392348104
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|a 22573/cats5311130
|b JSTOR
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|a pcc
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|a B54
|b .C37 2023
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|2 23/eng/20230110
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|a SOC052000
|2 bisacsh
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|a UAMI
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|a Casetti, Francesco,
|e author.
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|a Screening fears :
|b on protective media /
|c Francesco Casetti.
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|a On protective media
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|a New York :
|b Zone Books,
|c 2023.
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264 |
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|c ©2023
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300 |
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|a 1 online resource (264 pages) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a "A historical and theoretical investigation of the unexpected ways screen-based media protect and excite viewers' fears and anxieties of the worldIn this brilliant contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual media function as barriers or enclosures that defend against the apparent threats and dangers that seem increasingly to surround us. Working with an original historical overview that begins with the Phantasmagoria of the late eighteenth century, then the shared interior spaces of the movie theater in the early to mid-twentieth century, and finally the solitary digital milieus of the present, Casetti traces the outlines of the protective "bubbles" that disconnect us from our immediate surroundings. To be provided with a shield of immunity to the hazards and uncertainties of the world while experiencing them at a safe remove might seem a positive development. But, he asks, what if these media, instead of providing invulnerability, ensnare individuals in a suffocating enclosure? What if, in their effort to keep reality under control, they exercise a violence equal to that of the dangers they resist? In a dialectical exercise, and through a vivid range of cultural artifacts, Screening Fears traces the emergence of modern protective media and the way they changed our forms of mediation with the world in which we live"--
|c Provided by publisher.
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|a Description based on online resource; title from digital title page (viewed on August 24, 2023).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Digital media
|x Philosophy.
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650 |
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|a Mass media
|x Philosophy.
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650 |
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|a Surfaces (Philosophy)
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650 |
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|a Médias
|x Philosophie.
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650 |
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|a Surfaces (Philosophie)
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650 |
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|a SOCIAL SCIENCE / Media Studies.
|2 bisacsh
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650 |
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7 |
|a Digital media
|x Philosophy
|2 fast
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650 |
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7 |
|a Mass media
|x Philosophy
|2 fast
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650 |
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7 |
|a Surfaces (Philosophy)
|2 fast
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655 |
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|a Electronic books.
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776 |
0 |
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|i Print version:
|a Casetti, Francesco, 1947-
|t Screening fears
|d Brooklyn : Zone Books, 2023
|z 9781942130871
|w (DLC) 2022049958
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.5329462
|z Texto completo
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938 |
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|a Project MUSE
|b MUSE
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|a YBP Library Services
|b YANK
|n 305619911
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|a ProQuest Ebook Central
|b EBLB
|n EBL30668074
|
938 |
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|a EBSCOhost
|b EBSC
|n 3654621
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994 |
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|a 92
|b IZTAP
|