Weill, Blitzstein, and Bernstein : a study of influence /

Mostrar otras versiones (1)

"Theodor Adorno famously proclaimed that the model of Kurt Weill could not be repeated. Yet Weill's stage works set an inescapable precedent for composers on both sides of the Atlantic. Rebecca Schmid explores how Weill's formal innovations in particular laid the groundwork for operas...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schmid, Rebecca (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, 2023.
Colección:Eastman studies in music ; 189.
Temas:
Weill, Kurt, > 1900-1950 > Influence.
Bernstein, Leonard, > 1918-1990 > Criticism and interpretation.
Blitzstein, Marc > Criticism and interpretation.
Bernstein, Leonard, > 1918-1990
Blitzstein, Marc
Weill, Kurt, > 1900-1950
1900-1999
Opera > 20th century.
Musical theater > 20th century > History and criticism.
Théâtre musical > 20e siècle > Histoire et critique.
MUSIC / Individual Composer & Musician
Influence (Literary, artistic, etc.)
Musical theater
Opera
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Why influence? Anxiety and other modes of intertexuality
  • "Have you seen my new opera?" : The cradle will rock, Johnny Johnson, and Die Dreigroschenoper
  • "Something like opera" : Regina, Augstieg und Fall der Stadt Mahagonna, and Street scene
  • "Make our garden grow" : Candide and Die Dreigroschenoper
  • "This isn't worth drei Groschen" : West Side story and Street scene
  • A pray by Blecht : revisiting the Lehrstück
  • "The saga of Lenny" : Trouble in Tahiti and Lady in the dark
  • Epilogue.

Ejemplares similares