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|a UAMI
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|a Woloshyn, Alexa,
|e author.
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|a An orchestra at my fingertips :
|b a history of the Canadian Electronic Ensemble /
|c Alexa Woloshyn.
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|a History of the Canadian Electronic Ensemble
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|a Montreal ;
|a Chicago :
|b McGill-Queen's University Press,
|c [2023]
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|a 1 online resource (xiv, 266 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a Includes bibliographical references and index.
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|a Cover -- An Orchestra at My Fingertips -- Title -- Copyright -- Contents -- Figures and Tables -- Prologue -- Acknowledgments -- 1 Electrifying Musical Life in Toronto -- 2 A CEE Origin Story: Don't Mistake Us for a Pop Band -- 3 Sounds like the CEE: A Technological and Aesthetic Community -- 4 The CEE Live: Virtuosity, Perceptibility, and Improvisation -- 5 CEE Listening Spaces: Embodied, Embedded, and Virtual Contexts -- 6 A CEE Musical Network: Supporting Musical Life in Canada and Beyond -- Epilogue -- Discography -- Appendix: Listening Guides -- Increscents (1972) -- David Grimes
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|a Fancye (1973) -- David Jaeger -- Consequences for 5 (1977) -- Norma Beecroft -- I Have Come Through (1979) -- James Montgomery -- Quivi sospiri (1979) -- David Jaeger -- Psalm (1985) -- Larry Lake -- Attention Elk! (1994) -- CEE -- Caspin's Arrival (1998) -- CEE -- Improvisation #4 (2008) -- CEE -- Notes -- References -- Index
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|a "When the Canadian Electronic Ensemble (CEE) began as a group of students at the University of Toronto in 1972, they performed with cumbersome, finicky analogue instruments and DIY logistics, never sure if everything would work as intended. Today's CEE sound comes from a sophisticated mixture of digital and analogue hardware, laptops, and acoustic instruments. Across a long and ongoing long history of tours, recordings, and performances, countless listeners have heard and appreciated the innovations at the heart of the CEE's music. An Orchestra at My Fingertips is the first detailed study of the history, music, and legacy of the CEE. Covering the ensemble since its inception and drawing on extensive interviews with group members, Alexa Woloshyn provides unique insight into the musicians that make up the group as well as analyses of the CEE's compositions, commissions, and improvisation and performance practice. Woloshyn's account traces the evolution of electronic music technology across the decades-long history of the group, paying close attention to how audiences have perceived the CEE's artistry as effortless rather than as the careful employment of technologically generated sounds. To appreciate and understand the CEE's legacies, Woloshyn presents several listening methodologies and includes numerous listening guides to engage all listeners. An Orchestra at My Fingertips speaks to the global development and transformation of live electronic music through the history of a group that has been a consistently innovative voice in Canada and beyond."--
|c Provided by publisher.
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|a Description based on online resource; title from digital title page (viewed on July 19, 2023).
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Canadian Electronic Ensemble
|x History.
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|a Electronic music
|z Canada
|x History and criticism.
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|a MUSIC / Genres & Styles / Electronic.
|2 bisacsh
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|a Electronic music.
|2 fast
|0 (OCoLC)fst00907363
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|a Canada.
|2 fast
|0 (OCoLC)fst01204310
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Woloshyn, Alexa.
|t Orchestra at my fingertips.
|d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2023
|z 0228017335
|z 9780228017332
|w (OCoLC)1350839229
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.6047928
|z Texto completo
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|a De Gruyter
|b DEGR
|n 9780228018391
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|a Askews and Holts Library Services
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|n 19885004
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|a ProQuest Ebook Central
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|a EBSCOhost
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