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Political camerawork : documentary and the lasting impact of reenacting historical trauma /

"What mental and physical distress do actors, camerapersons, and reporters experience when working on reenactments of traumatic moments in history? In Political Camerawork, D. Andy Rice theorizes that the intense feelings produced while creating these performed scenarios, called "simulatio...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rice, D. Andy (David Andy) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2023]
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Rice, D. Andy  |q (David Andy),  |e author. 
245 1 0 |a Political camerawork :  |b documentary and the lasting impact of reenacting historical trauma /  |c D. Andy Rice. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [2023] 
300 |a 1 online resource (xi, 250 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
504 |a Includes filmography. 
505 0 |a Being there again: reenacting camerawork in In country (2014) -- Weaponizing affect: a film phenomenology of 3D military training simulations during the Iraq War -- "Do you want to play a Klansman?" lynching photography, civil rights camerawork, and the Moore's Ford Lynching reenactment in Georgia -- Establishing a Black affective infrastructure: from lynching performance in the Hollywood of the South to Always in season (2019) -- Conclusion: Toward an embodied social cinema, or from point of view to social sense. 
520 |a "What mental and physical distress do actors, camerapersons, and reporters experience when working on reenactments of traumatic moments in history? In Political Camerawork, D. Andy Rice theorizes that the intense feelings produced while creating these performed scenarios, called "simulation documentaries," connect difficult pasts to the present. Building on his background as a nonfiction film director, producer, editor, and cinematographer, Rice analyzes performance techniques to gain insight into the emotional toll of simulation documentaries, including those reliving the Vietnam War, the US military's embodied training in California during the Iraq War, and an annual quadruple lynching reenactment organized by Black civil rights activists in Georgia. Investigating the lasting impact of these productions, Political Camerawork reveals that, by performing a simulation of a traumatic event they didn't directly experience, those involved become carriers of the trauma"--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on April 11, 2023). 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Documentary films  |x Philosophy. 
650 0 |a Documentary films  |x Production and direction. 
650 0 |a Historical reenactments  |v Case studies. 
650 0 |a Motion pictures  |x Political aspects. 
650 0 |a Motion pictures  |x Social aspects. 
650 7 |a Documentary films  |x Production and direction.  |2 fast  |0 (OCoLC)fst00896089 
650 7 |a Historical reenactments.  |2 fast  |0 (OCoLC)fst00958207 
650 7 |a Motion pictures  |x Political aspects.  |2 fast  |0 (OCoLC)fst01027353 
650 7 |a Motion pictures  |x Social aspects.  |2 fast  |0 (OCoLC)fst01027384 
650 7 |a SOCIAL SCIENCE / Media Studies  |2 bisacsh 
655 7 |a Case studies.  |2 fast  |0 (OCoLC)fst01423765 
776 0 8 |i Print version:  |a Rice, D. Andy  |t Political camerawork  |d Bloomington : Indiana University Press, 2023  |z 9780253065919  |w (DLC) 2022042920 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv37c071c  |z Texto completo 
938 |a Project MUSE  |b MUSE  |n musev2_112131 
938 |a YBP Library Services  |b YANK  |n 304607771 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL30448711 
938 |a EBSCOhost  |b EBSC  |n 3545624 
994 |a 92  |b IZTAP