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Representing Reality : Issues and Concepts in Documentary /
This book offers a conceptual overview of documentary filmmaking practice. It addresses numerous social issues and how they are presented to the viewer by means of style, rhetoric, and narrative technique. The volume poses questions about the relationship of the documentary tradition to power, the b...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
1991.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Nichols, Bill, |d 1942- | |
| 245 | 1 | 0 | |a Representing Reality : |b Issues and Concepts in Documentary / |c Bill Nichols. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c 1991. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 0000 | |
| 264 | 4 | |c 1991. | |
| 300 | |a 1 online resource (xx, 313 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | |a Axes of orientation. The domain of documentary ; Documentary modes of representation ; Axiographics: ethical space in documentary film -- Documentary: a fiction (un)like any other. Telling stories with evidence and arguments ; Sticking to reality: rhetoric and what exceeds it ; The fact of realism and the fiction of objectivity -- Documentary representation and the historical world. Pornography, ethnography, and the discourses of power ; Representing the body: questions of meaning and magnitude. | |
| 520 | |a This book offers a conceptual overview of documentary filmmaking practice. It addresses numerous social issues and how they are presented to the viewer by means of style, rhetoric, and narrative technique. The volume poses questions about the relationship of the documentary tradition to power, the body, authority, knowledge, and our experience of history. This study advances the pioneering work of Nichols's earlier book, Ideology and the Image. The rigorous discussion of modes of documentary representation, the relationship between narrative and nonfiction, and the representation of the body (including a chapter on pornography, ethnography, and power), give this book enormous value for the study of visual anthropology and ethnographic film. The often neglected relationship between signifier and referent is the special focus of this intensive study of documentary film. The concluding discussion of the representation of the body will also be of special interest to semioticians. | ||
| 588 | |a Description based on print version record. | ||
| 504 | |a Includes bibliographical references (pages 267-296) and index. | ||
| 504 | |a Filmology: pages 297-304. | ||
| 506 | |3 Use copy |f Restrictions unspecified |5 MiAaHDL |2 star | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 1 | 4 | |a Documentary films. |
| 650 | 4 | |a Films documentaires |x Histoire et critique. | |
| 650 | 6 | |a Documentaires |x Histoire et critique. | |
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| 650 | 1 | 7 | |a Documentaires. |2 gtt |
| 650 | 7 | |a Documentary films |x History and criticism. |2 nli | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Nichols, Bill, 1942- |t Representing reality. |d Bloomington : Indiana University Press, ©1991 |w (DLC) 91002637 |w (OCoLC)23254002 |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv32bm1p2 |z Texto completo |
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