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A most valuable medium : the remediation of oral performance on early commercial recordings /

"Between 1895 and 1920, the United States saw a sharp increase in commercial sound recording, the first mass medium of home entertainment. As companies sought to discover what kinds of records would appeal to consumers, they turned to performance forms already familiar to contemporary audiences...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Bauman, Richard, 1940- (Autor), Feaster, Patrick, 1971- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2023]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bauman, Richard,  |d 1940-  |e author. 
245 1 2 |a A most valuable medium :  |b the remediation of oral performance on early commercial recordings /  |c Richard Bauman with Patrick Feaster. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [2023] 
300 |a 1 online resource (xi, 221 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references, discography, and index. 
505 0 |a 1. "Come in Here and Hear Them Speak!": Campaign Speeches and Political Publics (with Patrick Feaster) -- 2. "Accordin' to the Gospel of Etymology": Aural Blackface and New African American Poetics -- 3. "We Always Enjoy a Good Story": From Monologue to Audio Theater -- 4. "Talking Machine Storyteller": Cal Stewart and the Remediation of Storytelling -- 5. "Somebody Stole My Tune!": Charles Ross Taggart and Country Communicability -- 6. "I Don't See No Mans": Bridging the Schizophonic Gap -- Discography (by Patrick Feaster) 
520 |a "Between 1895 and 1920, the United States saw a sharp increase in commercial sound recording, the first mass medium of home entertainment. As companies sought to discover what kinds of records would appeal to consumers, they turned to performance forms already familiar to contemporary audiences-sales pitches, oratory, sermons, and stories. In A Most Valuable Medium, Richard Bauman explores the practical problems that producers and performers confronted when adapting familiar oral genres to this innovative medium of sound recording. He also examines how audiences responded to these modified and commoditized presentations. Featuring audio examples throughout and offering a novel look at the early history of sound recording, A Most Valuable Medium reveals how this new technology effected monumental change in the ways we receive information"--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on April 03, 2023). 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Home entertainment industry  |z United States  |x History. 
650 0 |a Sound recordings  |z United States  |x History. 
650 6 |a Chaînes audiovisuelles  |x Industrie  |z États-Unis  |x Histoire. 
650 7 |a SOCIAL SCIENCE / Folklore & Mythology.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Anthropology / Cultural & Social.  |2 bisacsh 
650 7 |a Oral communication  |2 fast 
650 7 |a Sound  |x Recording and reproducing  |2 fast 
650 7 |a Sound recordings  |x Production and direction  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 0 |a Electronic books. 
655 7 |a History  |2 fast 
700 1 |a Feaster, Patrick,  |d 1971-  |e author. 
776 0 8 |i Print version:  |a Bauman, Richard, 1940-  |t Most valuable medium  |d Bloomington, Indiana : Indiana University Press, [2023]  |z 9780253065179  |w (DLC) 2022042857 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv31xf5jb  |z Texto completo 
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