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What photographs do : the making and remaking of museum cultures /

"What are photographs 'doing' in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect? What Photographs Do explores how museums are defined through their photographic pra...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Edwards, Elizabeth, 1952- (Editor ), Ravilious, Ella (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : UCL Press in association with the Victoria and Albert Museum, 2022.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a What photographs do :  |b the making and remaking of museum cultures /  |c edited by Elizabeth Edwards and Ella Ravilious. 
264 1 |a London :  |b UCL Press in association with the Victoria and Albert Museum,  |c 2022. 
300 |a 1 online resource (xxiv, 329 pages) :  |b illustrations (chiefly color) 
336 |a text  |b txt  |2 rdacontent 
336 |a still image  |b sti  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a "What are photographs 'doing' in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect? What Photographs Do explores how museums are defined through their photographic practices. It focuses not on formal collections of photographs as accessioned objects, be they 'fine art' or 'archival', but on what might be termed 'non-collections': the huge number of photographs that are integral to the workings of museums yet 'invisible', existing outside the structures of 'the collection'. These photographs, however, raise complex and ambiguous questions about the ways in which such accumulations of photographs create the values, hierarchies, histories and knowledge-systems, through multiple, folded and overlapping layers that might be described as the museum's ecosystem. These photographic dynamics are studied through the prism of the Victoria and Albert Museum, London, an institution with over 150 years' engagement with photography's multifaceted uses and existences in the museum. The book differs from more usual approaches to museum studies in that it presents not only formal essays but short 'auto-ethnographic' interventions from museum practitioners, from studio photographers and image managers to conservators and non-photographic curators, who address the significance of both historical and contemporary practices of photography in their work. As such this book offers an extensive and unique range of accounts of what photographs 'do' in museums, expanding the critical discourse of both photography and museums".--UCL Press 
505 0 |a An introduction -- 1 -- Part I Disseminations -- 31 -- Part II Collections -- 79 -- Part III Histories -- 135 -- Part IV Reworkings -- 173 -- Part V Visibilities -- 229 -- Part VI Digital -- 270 -- Afterword -- 319 -- Index -- 326 -- Copyright. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
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610 2 0 |a Victoria and Albert Museum  |x Photograph collections. 
610 2 7 |a Victoria and Albert Museum.  |2 fast  |0 (OCoLC)fst00533956 
650 0 |a Museums and photography. 
650 0 |a Photographs as information resources. 
650 7 |a Museums and photography.  |2 fast  |0 (OCoLC)fst01894675 
650 7 |a Photograph collections.  |2 fast  |0 (OCoLC)fst01061600 
650 7 |a Photographs as information resources.  |2 fast  |0 (OCoLC)fst01061708 
700 1 |a Edwards, Elizabeth,  |d 1952-  |e editor. 
700 1 |a Ravilious, Ella,  |e editor. 
776 0 8 |i Print version:  |t WHAT PHOTOGRAPHS DO.  |d [S.l.] : UCL PRESS, 2022  |z 1800082991  |w (OCoLC)1329421226 
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