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The musical madhouse = Les grotesques de la musique /
"The Musical Madhouse is the first complete translation into English of Hector Berlioz's Les Grotesques de la musique. It is the funniest of all his works, and consists of a number of short anecdotes, witticisms, open letters, and comments on the absurdities of concert life. Alastair Bruce...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Rochester :
University of Rochester Press,
2003.
|
| Colección: | Eastman studies in music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Berlioz, Hector, |d 1803-1869. | |
| 240 | 1 | 0 | |a Grotesques de la musique. |l English |
| 245 | 1 | 4 | |a The musical madhouse = |b Les grotesques de la musique / |c Hector Berlioz ; translated and edited by Alastair Bruce ; with an introduction by Hugh Macdonald. |
| 246 | 3 | 1 | |a Grotesques de la musique |
| 264 | 1 | |a Rochester : |b University of Rochester Press, |c 2003. | |
| 300 | |a 1 online resource (264 pages). | ||
| 336 | |a text |2 rdacontent | ||
| 337 | |a computer |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Eastman studies in music, |x 1071-9989 | |
| 505 | 0 | 0 | |t Introduction / |r Hugh Macdonald -- |t Letter from the Chorus of the Opera to the Author -- |t The Author's Reply to the Chorus of the Opera -- |t The right to play a symphony in the wrong key -- |t A crowned virtuoso -- |t A new musical instrument -- |t The regiment of colonels -- |t A cantata -- |t A programme of grotesque music -- |t Is it a joke? -- |t The evangelist of the drum -- |t The apostle of the flageolet -- |t The prophet of the trombone -- |t Conductors -- |t Appreciators of Beethoven -- |t The Sontag version -- |t You can't dance in E -- |t Kissed by Rossini -- |t A clarinet concerto -- |t Musical instruments at the Universal Exhibition -- |t A rival to Erard -- |t Diplomatic Correspondence: Letter addressed to H.M. Aimata Pomare, Queen of Tahiti -- |t Prudence and sagacity of a provincial -- Alexandre's melodium -- |t The tromba marina -- The saxophone -- Experts in instrumentation -- |t Jaguarita -- Female savages -- |t The Astucio family -- |t Marriages of convenience -- |t Great news -- |t More news -- |t Barley sugar -- Heavy music -- |t The Evil Eye -- |t Ordinary music lovers and serious music -- |t Lamentations of Jeremiah -- |t A model critic -- |t Dramatic emphasis -- |t Success of a Miserere -- |t The season -- The bugbears' club -- |t Minor irritations of major concerts -- |t 20 francs per ticket -- |t War on flats -- |t Scientific Correspondence -- |t Plombieres and Baden, 1st letter -- |t Plombieres and Baden, 2nd letter -- |t Aural aberrations and delusions -- |t Philosophical Correspondence: A letter to Monsieur Ella -- |t The debutante -- The Director of the Opera's despotism -- |t The song of cockerels -- The cockerels of song -- |t Sparrows. |
| 504 | |a Includes bibliographical references (pages 215-218) and index. | ||
| 520 | 1 | |a "The Musical Madhouse is the first complete translation into English of Hector Berlioz's Les Grotesques de la musique. It is the funniest of all his works, and consists of a number of short anecdotes, witticisms, open letters, and comments on the absurdities of concert life. Alastair Bruce's translation brings to life this important composer and bon vivant. He does a wonderful job of conveying all the puns, jokes, and invective of Berlioz's prose as well as the nuances of his stories. He even imitates a Tahitian accent in the translation, as Berlioz does in the original. The notes will give the reader insight into the innuendos and in-jokes that fill the pages. This translation will take its place among other translations of Berlioz's prose writings, bringing to the reader more lively examples of a still misunderstood composer caught up in the musical life of mid-nineteenth century Paris."--Jacket | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 650 | 0 | |a Music |v Anecdotes. | |
| 650 | 0 | |a Music |v Humor. | |
| 651 | 0 | |a Paris (France) |x Intellectual life |y 19th century. | |
| 651 | 6 | |a Paris (France) |x Vie intellectuelle |y 19e siècle. | |
| 650 | 6 | |a Musique |v Humour. | |
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| 655 | 7 | |a Humor. |2 lcgft | |
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| 655 | 7 | |a Humour. |2 rvmgf | |
| 700 | 1 | |a Bruce, Alastair, |d 1947- | |
| 776 | 0 | 8 | |i Print version: |a Berlioz, Hector, 1803-1869. |s Grotesques de la musique. English. |t Musical madhouse. |d Rochester, NY : University of Rochester Press, 2003 |z 9781580461320 |w (DLC) 2003001049 |w (OCoLC)51194772 |
| 830 | 0 | |a Eastman studies in music. |x 1071-9989 | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvc16mv1 |z Texto completo |
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