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221103s1985 inug ob 001 0 eng d |
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|a JSTOR
|b eng
|e rda
|e pn
|c JSTOR
|d TOH
|d N$T
|d P@U
|d OCLCQ
|d OCLCO
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|a 1379018473
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|a 9780253066756
|q (electronic bk.)
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|a 0253066751
|q (electronic bk.)
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|z 0253344948
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|z 9780253344946
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|z 0253207320
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|z 9780253207326
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|z 9780253066763
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|a AU@
|b 000072891445
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|a (OCoLC)1350155236
|z (OCoLC)1379018473
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|a 22573/ctv2wmp268
|b JSTOR
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|a MT227
|b .B2 1985eb
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|a MUS
|x 023030
|2 bisacsh
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|a 786.3/5
|2 22
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|a 24.81
|2 bcl
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|a UAMI
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|a Banowetz, Joseph,
|e author.
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|a The pianist's guide to pedaling /
|c Joseph Banowetz ; contributors, Dean Elder, Mark Hansen, Maurice Hinson, William S. Newman.
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|a Bloomington :
|b Indiana University Press,
|c [1985]
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|a 1 online resource (x, 309 pages) :
|b music.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|m Occupational/field of activity group:
|n occ
|a Pianists
|2 lcdgt
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|m Social group:
|n soc
|a Piano students
|2 lcdgt
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|m Gender group:
|n gdr
|a Men
|2 lcdgt
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|m Occupational/field of activity group:
|n occ
|a Pianists
|2 lcdgt
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|a Includes bibliographical references (pages 295-302) and index.
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|t The History of the Piano's Pedals --
|t Pedaling Techniques --
|t The Right Pedal --
|t The Middle Pedal --
|t The Left Pedal --
|t Pedaling Works of Selected Composers and Styles --
|t Using the Pedals When Playing Bach --
|t Using the Pedals When Playing Haydn and Mozart --
|t Beethoven's Uses of the Pedals /
|r William S. Newman --
|t Executing Beethoven's Long Pedals on the Modern Piano --
|t Pedaling the Piano Works of Chopin /
|r Maurice Hinson --
|t Using the Pedals When Playing Schumann --
|t Using the Pedals When Playing Liszt --
|t The Catalan School of Pedaling /
|r Mark Hansen --
|t Gieseking's Pedaling in Debussy and Ravel /
|r Dean Elder.
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|a Pedaling--for color, for sonority, for sustaining certain tones--is an art, but one that must be based on historical considerations and on an understanding of the composer's intent. In The Pianist's Guide to Pedaling, Joseph Banowetz and four distinguished contributors present a comprehensive view of the subject. Here are practical suggestions and musicological insights pertaining to the performance of keyboard music from the eighteenth to the twentieth century.
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|a The writers base their recommendations and suggested solutions to pedaling problems on the capabilities and sound qualities of the individual composers' instruments and systems of notation. However, they stress that the player's ear is the ultimate judge, and that pedaling technique may need to be modified to suit the piano in use, the acoustics of the performance space, and even the mood of the player.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Piano
|x Pedaling.
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|a Piano
|x Pédales.
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|a MUSIC / Musical Instruments / Piano & Keyboard
|2 bisacsh
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|a Piano
|x Pedaling
|2 fast
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|a Klavierpedal
|2 gnd
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|a Klavierspiel
|2 gnd
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|a Piano's.
|2 gtt
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|a Uitvoeringspraktijk.
|2 gtt
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|a Pianos
|x Instruction and study
|x Pedaling.
|2 sears
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|a Pianos
|x Pedaling.
|2 sears
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|a Elder, Dean,
|e author.
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|a Hansen, Mark R.
|q (Mark Russell),
|d 1952-
|e author.
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|a Hinson, Maurice,
|e author.
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|a Newman, William S.,
|e author.
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0 |
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|i Print version:
|a Banowetz, Joseph.
|t Pianist's guide to pedaling.
|d Bloomington : Indiana University Press, [1985]
|z 0253344948
|w (DLC) 84047534
|w (OCoLC)10799298
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|a Book collections on Project MUSE.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2wn4cg0
|z Texto completo
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938 |
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|a EBSCOhost
|b EBSC
|n 3384962
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|a Project MUSE
|b MUSE
|n musev2_112018
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|a 92
|b IZTAP
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