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To be Nsala's daughter : decomposing the colonial gaze /

"To Be Nsala's Daughter revisits the photographic archive of Alice Seeley Harris and the visual projects of colonialism and anti-Blackness. Harris took over a thousand photographs in Congo during the reign of King Léopold II, mostly documenting the atrocities of his regime. While the publ...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ndaliko, Chérie Rivers (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2023.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ndaliko, Chérie Rivers,  |e author. 
245 1 0 |a To be Nsala's daughter :  |b decomposing the colonial gaze /  |c Chérie N. Rivers. 
264 1 |a Durham :  |b Duke University Press,  |c 2023. 
264 4 |c ©2023 
300 |a 1 online resource (xiii, 111 pages) :  |b illustrations, maps 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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588 |a Description based on print version record. 
504 |a Includes bibliographical references and index. 
505 0 |a Elegy for Nsala -- To See Nsala's Daughter -- To Decompose -- To Replicate -- To Contradict -- To Create -- To Love Nsala's Daughter. 
520 |a "To Be Nsala's Daughter revisits the photographic archive of Alice Seeley Harris and the visual projects of colonialism and anti-Blackness. Harris took over a thousand photographs in Congo during the reign of King Léopold II, mostly documenting the atrocities of his regime. While the publication of this violence played an important role in helping to liberate Congo from Belgian rule, Chérie Rivers Ndaliko argues that they reproduce colonial relations, particularly in their representations of Congolese people as suffering, bewildered, and inferior. The book's title comes from one of Harris's most well-known images, a posed photograph of a Congolese man, Nsala, considering the disembodied hand and foot of his daughter, violently removed from her body as punishment for his failure to deliver the requisite amount of rubber. Ndaliko sees both the act represented in the photograph and the photograph itself as sites of violence. The book documents Ndaliko's attempts to decompose these forms of violence, first, by understanding their logics and then, working with artists and community members in contemporary Congo, offering different ways of documenting and seeing."--  |c Provided by publisher. 
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600 1 0 |a Harris, Alice Seeley. 
600 1 7 |a Harris, Alice Seeley.  |2 fast  |0 (OCoLC)fst01987923 
650 0 |a Documentary photography  |z Congo (Democratic Republic) 
650 0 |a Atrocities  |z Congo (Democratic Republic) 
650 0 |a Violence  |z Congo (Democratic Republic) 
651 0 |a Congo (Democratic Republic)  |x History  |y To 1908. 
651 0 |a Congo (Democratic Republic)  |x Politics and government  |y 1885-1908. 
650 7 |a PHOTOGRAPHY / History  |2 bisacsh 
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650 7 |a Violence.  |2 fast  |0 (OCoLC)fst01167224 
651 7 |a Congo (Democratic Republic)  |2 fast  |0 (OCoLC)fst01208723 
648 7 |a To 1908  |2 fast 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Ndaliko, Chérie Rivers.  |t To be Nsala's daughter.  |d Durham : Duke University Press, 2023  |z 9781478019091  |z 9781478016458  |w (DLC) 2022026526  |w (OCoLC)1338646228 
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