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Melodrama, masculinity and international art cinema /
This book offers a detailed study of how some of the most illustrious auteurs in the history of art cinema have made use of melodrama to represent masculine subjectivity on the screen.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Anthem Press,
2022.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Fox, Alistair, |e author. | |
| 245 | 1 | 0 | |a Melodrama, masculinity and international art cinema / |c Alistair Fox. |
| 260 | |a London : |b Anthem Press, |c 2022. | ||
| 300 | |a 1 online resource (xiii, 220 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a <P>List of Figures; Preface; Acknowledgments; Introduction; 1. Italian Neorealism and the Emergence of the Male Melodrama: Vittorio De Sica'sBicycle Thieves (1948) and Umberto D. (1952); 2. The Migration of Male Melodrama into Non-Western Cultures: Satyajit Ray's The Apu Trilogy (1955-59) and "Fourth Cinema" ; 3. Hollywood Melodrama as a Vehicle for Self-Projection: Vincente Minnelli's Tea and Sympathy (1956) and Home from the Hill (1960); 4. The Political Turns Personal: Neo-Neorealism and Pier Paolo Pasolini's Accattone(1961); 5. Personal Cinema as Psychodrama: Ingmar Bergman's Wild Strawberries (1957), Winter Light (1963) and Hour of the Wolf (1968); 6. François Truffaut and the Tyranny of Romantic Obsession: The Soft Skin (1964), Mississippi Mermaid (1969) and The Woman Next Door (1981); 7. Figuring an Authorial Fantasmatic: Jacques Demy's The Umbrellas of Cherbourg (1964), A Room In Town (1982) and Parking (1985); 8. Rainer Werner Fassbinder and the Emergence of Queer Cinema: The Merchant of Four Seasons (1972), Fox and His Friends (1975) and In a Year with 13 Moons (1978); 9. Visual Aestheticism and the Queer Prestige Melodrama: Call Me by Your Name (2017) and Luca Guadagnino's Desire Trilogy; Conclusion; List of Films Cited; Select Bibliography; Index</p> | |
| 520 | |a This book offers a detailed study of how some of the most illustrious auteurs in the history of art cinema have made use of melodrama to represent masculine subjectivity on the screen. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Melodrama in motion pictures. | |
| 650 | 0 | |a Masculinity in motion pictures. | |
| 650 | 0 | |a Motion pictures |x History |y 20th century. | |
| 650 | 7 | |a Masculinity in motion pictures. |2 fast |0 (OCoLC)fst01011041 | |
| 650 | 7 | |a Melodrama in motion pictures. |2 fast |0 (OCoLC)fst01015774 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |z 9781839984099 |
| 776 | 0 | 8 | |i Print version: |z 1839984074 |z 9781839984075 |w (OCoLC)1268112121 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv307fh6b |z Texto completo |
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