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Glocal bodies : dancers in exile and politics of place : a critical study of contemporary Iranian dance /

This book is a critical study of Iranian dance and the works of Iranian-American female dancers in exile. Focusing on the study of contemporary Iranian dance through analysis of the choreographies of three female dancers in diaspora (namely Aisan Hoss, Shahrzad Khorsandi, and Banafsheh Sayyad), this...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hatami, Elaheh, 1979- (Autor)
Formato: Tesis Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcript, [2022]
Colección:Critical dance studies (Bielefeld, Germany) ; v. 62.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hatami, Elaheh,  |d 1979-  |e author. 
245 1 0 |a Glocal bodies :  |b dancers in exile and politics of place : a critical study of contemporary Iranian dance /  |c Elaheh Hatami. 
264 1 |a Bielefeld :  |b Transcript,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (199 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Critical dance studies,  |x 2747-3139 ;  |v volume 62 
502 |a Thesis (doctoral)--Freie Universität Berlin, 2021. 
504 |a Includes bibliographical references. 
505 0 |a Introduction : Background, objective, and methodology -- 1. Dance : A dilemma in Iranian art -- 2. Exile at home : The imposition of outsider status on dancers and dance within Iran -- 3. Moving toward external exile : Iranian dance and dancers cast out of their homeland -- 4. Change of perspective: Becoming contemporary through tradition and experiment -- 5. Transformation and reconnection to home -- Conclusion. 
520 |a This book is a critical study of Iranian dance and the works of Iranian-American female dancers in exile. Focusing on the study of contemporary Iranian dance through analysis of the choreographies of three female dancers in diaspora (namely Aisan Hoss, Shahrzad Khorsandi, and Banafsheh Sayyad), this research is among the first of its kind. Elaheh Hatami investigates the transformation of professional Iranian dance and discusses the role of relocation and displacement in its performance. She argues that Iranian dance and Iranian female dancers have always been in exile -- not only in a physical sense, but also in the metaphorical sense of "exile" implying foreignness, exclusion, and marginalization.--  |c Provided by publisher. 
545 0 |a Elaheh Hatami (Dr. phil.), born in 1979, studied dance studies at Freie Universität Berlin, where she also received her doctorate. For her Ph.D she was awarded with a scholarship from the Friedrich-Ebert Foundation. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Dance  |z Iran  |x History. 
650 0 |a Exiled women dancers  |z Iran. 
650 0 |a Women dancers  |z Iran  |x Social conditions. 
650 4 |a Body. 
650 4 |a Displacement. 
650 4 |a Exile. 
650 4 |a Female Dancer. 
650 4 |a Gender. 
650 4 |a Iran. 
650 4 |a Migration. 
650 4 |a Transformation. 
650 4 |a USA. 
650 6 |a Danseuses  |z Iran  |x Conditions sociales. 
650 7 |a PERFORMING ARTS / Dance / General.  |2 bisacsh 
650 7 |a Exiled women dancers  |2 fast 
650 7 |a Dance  |2 fast 
651 7 |a Iran  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Hatami, Elaheh, 1979-  |t Glocal bodies.  |d Bielefeld : Transcript, [2022]  |z 9783837660807  |w (OCoLC)1346307144 
830 0 |a Critical dance studies (Bielefeld, Germany) ;  |v v. 62. 
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