|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1348179066 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
221014s2023 iluab ob 001 0 eng |
010 |
|
|
|a 2022049649
|
040 |
|
|
|a DLC
|b eng
|e rda
|c DLC
|d OCLCF
|d YDX
|d P@U
|d YDX
|d JSTOR
|d OCLCQ
|d OCLCO
|
020 |
|
|
|a 9780252054525
|q electronic book
|
020 |
|
|
|a 0252054520
|q electronic book
|
020 |
|
|
|z 9780252045158
|q hardcover
|
020 |
|
|
|z 9780252087295
|q paperback
|
029 |
1 |
|
|a AU@
|b 000072858169
|
035 |
|
|
|a (OCoLC)1348179066
|
037 |
|
|
|a 22573/cats5070500
|b JSTOR
|
042 |
|
|
|a pcc
|
043 |
|
|
|a n-us-tx
|
050 |
0 |
4 |
|a ML3531
|b .W548 2023
|
072 |
|
7 |
|a MUS
|x 000000
|2 bisacsh
|
072 |
|
7 |
|a MUS
|x 031000
|2 bisacsh
|
072 |
|
7 |
|a SOC
|x 001000
|2 bisacsh
|
072 |
|
7 |
|a MUS
|x 020000
|2 bisacsh
|
082 |
0 |
0 |
|a 782.42164909764/1411
|2 23/eng/20221014
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Wilkins, Langston Collin,
|e author.
|
245 |
1 |
0 |
|a Welcome 2 Houston :
|b hip hop heritage in Hustle Town /
|c Langston Collin Wilkins.
|
246 |
3 |
|
|a Welcome to Houston
|
246 |
3 |
0 |
|a Hip hop heritage in Hustle Town
|
264 |
|
1 |
|a Urbana :
|b University of Illinois Press,
|c [2023]
|
300 |
|
|
|a 1 online resource (viii, 180 pages) :
|b illustrations, map.
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a African American music in global perspective
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a If You Go Down to Houston -- Everybody Inherits the Hood -- Still Tippin' -- Gotta Come Down, Gotta Rep the Hood -- Turnin' Headz -- One City under God.
|
520 |
|
|
|a "Langston Collin Wilkins returns to the city where he grew up to illuminate the complex relationship between place, identity, and music in Houston's hip hop culture. Interviews with local rap artists, producers, and managers inform an ethnography that explores how the interaction between artists, audiences, music, and place create a heritage that musicians negotiate in a variety of ways. Street-based musicians, avant-garde underground rappers, and Christian hip hop artists offer candid views of the scene while Wilkins delves into related aspects like slab, the area's hip hop-related car culture. What emerges is an incisive portrait of dynamic reciprocal process where an artist, having identified with and embodied a social space, reproduces that space in a performance even as the performance reconstructs the social space. A vivid journey through a southern hip hop bastion, Welcome 2 Houston offers an insider's look at a unique musical culture"--
|c Provided by publisher.
|
588 |
|
|
|a Description based on online resource; title from digital title page (viewed on July 28, 2023).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a Rap (Music)
|z Texas
|z Houston
|x History and criticism.
|
650 |
|
0 |
|a Hip-hop
|z Texas
|z Houston
|x History.
|
650 |
|
0 |
|a African Americans
|z Texas
|z Houston
|x Social life and customs.
|
650 |
|
0 |
|a Automobiles
|x Customizing
|z Texas
|z Houston.
|
650 |
|
0 |
|a Chopped and screwed (Music)
|x History and criticism.
|
650 |
|
6 |
|a Hip-hop
|z Texas
|z Houston
|x Histoire.
|
650 |
|
6 |
|a Noirs américains
|z Texas
|z Houston
|x Mœurs et coutumes.
|
650 |
|
6 |
|a Automobiles
|x Adaptation aux besoins
|z Texas
|z Houston.
|
650 |
|
7 |
|a MUSIC / General
|2 bisacsh
|
650 |
|
7 |
|a African Americans
|x Social life and customs
|2 fast
|
650 |
|
7 |
|a Automobiles
|x Customizing
|2 fast
|
650 |
|
7 |
|a Chopped and screwed (Music)
|2 fast
|
650 |
|
7 |
|a Hip-hop
|2 fast
|
650 |
|
7 |
|a Rap (Music)
|2 fast
|
651 |
|
7 |
|a Texas
|z Houston
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
655 |
|
7 |
|a History
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Wilkins, Langston Collin.
|t Welcome 2 Houston
|d Urbana : University of Illinois Press, 2023
|z 9780252045158
|w (DLC) 2022049648
|
830 |
|
0 |
|a African American music in global perspective.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.5406/jj.5076359
|z Texto completo
|
938 |
|
|
|a Project MUSE
|b MUSE
|n musev2_111981
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 20383570
|
994 |
|
|
|a 92
|b IZTAP
|