Contemporary photography in France : between theory and practice /
An innovativestudy of contemporary photography in France This compelling publication traces the broad arc of photography's developmentin France from the 1970s to the present day. A decade-by-decade account revealsunexpected points of convergence between practices that are not usuallyconsidered...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Leuven, Belgium :
Leuven University Press,
[2022]
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Colección: | Lieven Gevaert Ser.
|
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- PhotographyFrance-voorplat
- 9789461664891
- _GoBack
- Figures
- Plates
- Acknowledgements
- Introduction
- Chapter 1
- 1970s: Engagement and Subjectivity
- Roland Barthes and the Science of Subjectivity
- From The Family of Man to Families in France: Documentary and Professional Photography
- Mythologies of the Self: Photography in Artistic Practices
- Chapter 2
- 1980s: Objectivity in a Dematerialised World
- Jean Baudrillard: The Era of the Object
- A Quest for Legitimacy as Art
- Staged Photography and the Culture of Simulacra
- "The Form Tableau:" Photograph as Object and Picture
- Chapter 3
- 1990s-2000s: The Future of The Photographic Image
- Jacques Rancière: Photography as Milieu
- Forms of Resistance and Participation
- After Photography
- Conclusion:
- The Landscapes of France
- Landscape and the National Imaginary
- The DATAR Photographic Mission: Picturing "le territoire des Français"
- The Anthropogenic Landscape: The Environmental Perspective
- A Sense of Belonging: Territory, Borders, Identity
- Towards a Non-Nationalist History of Photography
- Plates
- Bibliography
- Index
- Previously published in the Lieven Gevaert Series
- Raymond Depardon, New York City. Manhattan. 6th avenue. Newspaper Stand, 1981. Gelatin silver print, 20 × 25 cm. © Raymond Depardon/ Magnum Photos.
- Gilles Peress, Pro-Shariatmadari Demonstration, 1980. Reproduced in Gilles Peress, Telex Persan (Paris: Contrejour, 1984). Print book, 27 × 38 cm. Collection Martin Parr, Tate Galleries, London. Photography: author. © Gilles Peress.
- Christine Spengler, Young Revolutionary Guard, 1979. Reproduced in Christine Spengler, Années de guerre, 1970-2002 (Paris: Marval, 2003). Print book, 23.5 × 30 cm. Collection British Library, London. Photography: author. © Christine Spengler.
- Martine Franck, Women's March for Abortion, from Denfert-Rochereau to Champ de Mars, 6 October 1979, 1979. Gelatin silver print, 20 × 25 cm. © Martine Franck/ Magnum Photos.
- Gina Pane, Second Project on Silence, 1970. 2 black-and-white photographs mounted on a panel, 95 × 160 cm. Photography: Hervé Gloaguen. Courtesy of Anne Marchand and kamel mennour Gallery, Paris. © Gina Pane, Adagp, Paris, 2022.
- Sophie Calle, Hotel, 1981. Reproduced in Sophie Calle, L'Hôtel. Ecrit sur l'image (Paris: L'Etoile, 1984), pp. 60-61. Print book. 21.2 × 17.8 cm. Collection British Library, London. Photography: author. © Sophie Calle.