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Contemporary photography in France : between theory and practice /
An innovativestudy of contemporary photography in France This compelling publication traces the broad arc of photography's developmentin France from the 1970s to the present day. A decade-by-decade account revealsunexpected points of convergence between practices that are not usuallyconsidered...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven, Belgium :
Leuven University Press,
[2022]
|
| Colección: | Lieven Gevaert Ser.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000007i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1347696390 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
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| 008 | 221016s2022 be o 000 0 eng d | ||
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| 100 | 1 | |a SMITH, OLGA. | |
| 245 | 1 | 0 | |a Contemporary photography in France : |b between theory and practice / |c Olga Smith. |
| 264 | 1 | |a Leuven, Belgium : |b Leuven University Press, |c [2022] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Lieven Gevaert Ser. ; |v v.32 | |
| 588 | |a Description based on online resource; title from digital title page (viewed on May 30, 2023). | ||
| 505 | 0 | |a PhotographyFrance-voorplat -- 9789461664891 -- _GoBack -- Figures -- Plates -- Acknowledgements -- Introduction -- Chapter 1 -- 1970s: Engagement and Subjectivity -- Roland Barthes and the Science of Subjectivity -- From The Family of Man to Families in France: Documentary and Professional Photography -- Mythologies of the Self: Photography in Artistic Practices -- Chapter 2 -- 1980s: Objectivity in a Dematerialised World -- Jean Baudrillard: The Era of the Object -- A Quest for Legitimacy as Art -- Staged Photography and the Culture of Simulacra | |
| 505 | 8 | |a "The Form Tableau:" Photograph as Object and Picture -- Chapter 3 -- 1990s-2000s: The Future of The Photographic Image -- Jacques Rancière: Photography as Milieu -- Forms of Resistance and Participation -- After Photography -- Conclusion: -- The Landscapes of France -- Landscape and the National Imaginary -- The DATAR Photographic Mission: Picturing "le territoire des Français" -- The Anthropogenic Landscape: The Environmental Perspective -- A Sense of Belonging: Territory, Borders, Identity -- Towards a Non-Nationalist History of Photography -- Plates -- Bibliography -- Index | |
| 505 | 8 | |a Previously published in the Lieven Gevaert Series -- Raymond Depardon, New York City. Manhattan. 6th avenue. Newspaper Stand, 1981. Gelatin silver print, 20 × 25 cm. © Raymond Depardon/ Magnum Photos. -- Gilles Peress, Pro-Shariatmadari Demonstration, 1980. Reproduced in Gilles Peress, Telex Persan (Paris: Contrejour, 1984). Print book, 27 × 38 cm. Collection Martin Parr, Tate Galleries, London. Photography: author. © Gilles Peress. | |
| 505 | 8 | |a Christine Spengler, Young Revolutionary Guard, 1979. Reproduced in Christine Spengler, Années de guerre, 1970-2002 (Paris: Marval, 2003). Print book, 23.5 × 30 cm. Collection British Library, London. Photography: author. © Christine Spengler. -- Martine Franck, Women's March for Abortion, from Denfert-Rochereau to Champ de Mars, 6 October 1979, 1979. Gelatin silver print, 20 × 25 cm. © Martine Franck/ Magnum Photos. | |
| 505 | 8 | |a Gina Pane, Second Project on Silence, 1970. 2 black-and-white photographs mounted on a panel, 95 × 160 cm. Photography: Hervé Gloaguen. Courtesy of Anne Marchand and kamel mennour Gallery, Paris. © Gina Pane, Adagp, Paris, 2022. -- Sophie Calle, Hotel, 1981. Reproduced in Sophie Calle, L'Hôtel. Ecrit sur l'image (Paris: L'Etoile, 1984), pp. 60-61. Print book. 21.2 × 17.8 cm. Collection British Library, London. Photography: author. © Sophie Calle. | |
| 520 | |a An innovativestudy of contemporary photography in France This compelling publication traces the broad arc of photography's developmentin France from the 1970s to the present day. A decade-by-decade account revealsunexpected points of convergence between practices that are not usuallyconsidered in a comparative perspective. These include photographic practicesin contemporary art, documentary, photojournalism, and fashion. Author OlgaSmith sets the. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Photography |z France. | |
| 650 | 0 | |a Art and society. | |
| 650 | 6 | |a Art et société. | |
| 650 | 6 | |a Photographie |z France. | |
| 650 | 7 | |a Photography |2 fast | |
| 651 | 7 | |a France |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 9462703442 |z 9789462703445 |w (OCoLC)1342248774 |
| 830 | 0 | |a Lieven Gevaert Ser. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2nnv598 |z Texto completo |
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