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|a DEGRU
|b eng
|e rda
|e pn
|c DEGRU
|d EBLCP
|d N$T
|d YDXIT
|d OCLCF
|d JSTOR
|d OSU
|d OCLCO
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|a 3839462509
|q electronic book
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|a 9783839462508
|q electronic book
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|z 9783837662504
|q paperback
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|z 3837662500
|q paperback
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|a 10.1515/9783839462508
|2 doi
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|a AU@
|b 000072930946
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|a (OCoLC)1347247291
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|a 22573/ctv36z53km
|b JSTOR
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|a e-uk---
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|a N7432.5.A78
|b S35 2022
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|a N6764
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|a ART015030
|2 bisacsh
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|a ART
|x 015030
|2 bisacsh
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|a 709.0409
|2 23/eng/20221205
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|a 709.41
|2 23/eng/20221202
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|a UAMI
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|a Scherr, Marion,
|d 1988-
|e author.
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1 |
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|a The Invention of 'Outsider Art' :
|b Experiencing Practices of Othering in Contemporary Art Worlds in the UK /
|c Marion Scherr.
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264 |
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|a Bielefeld :
|b transcript Verlag,
|c [2022]
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|c ©2022
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|a 1 online resource (299 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Image,
|x 2365-1806 ;
|v volume 212
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|a Based on thesis (doctoral)--Carl von Ossietzky Universität Oldenburg, 2021.
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|a Includes bibliographical references.
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|t Introduction --
|t Methodology and Research Design --
|t Theoretical Contextualisation of 'Outsider Art' in Cultural Anthropology --
|t Historical Readings and Discursive Genealogies of 'Outsider Art' --
|t Contemporary Discourses and Media Representations of 'Outsider Art' in the UK --
|t Introducing the Individual Behind the 'Outsider' --
|t Conclusion.
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|a What does it mean to be called an "outsider"? Marion Scherr investigates structural inequalities and the myth of the Other in Western art history, examining the role of 'Outsider Art' in contemporary art worlds in the UK. By shifting the focus from art world professionals to those labelled "Outsider Artists", she counteracts one-sided representations of them being otherworldly, raw, and uninfluenced. Instead, the artists are introduced as multi-faceted individuals in constant exchange with their social environment and as employing diverse strategies in dealing with their exclusion. The book reframes their voices and artworks as complex, serious and meaningful cultural contributions, and challenges their attested Otherness in favour for a more inclusive, all-encompassing understanding of art.
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|a Description based on online resource; title from digital title page (viewed on December 05, 2022).
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Outsider art
|z Great Britain.
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|a Art
|z Great Britain.
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|a Artists
|z Great Britain.
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650 |
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|a Art Brut.
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650 |
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|a Art History of the 21st Century.
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|a Cultural Anthropology.
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650 |
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|a Culture.
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650 |
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|a Disability.
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650 |
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|a European Art.
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650 |
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|a Exclusion.
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|a Fine Arts.
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|a Image.
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|a Stigma.
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|a Art
|z Grande-Bretagne.
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|a ART / European.
|2 bisacsh
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|a Art
|2 fast
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|a Artists
|2 fast
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|a Outsider art
|2 fast
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|a Great Britain
|2 fast
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|a Art Brut.
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|a Art History of the 21st Century.
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|a Cultural Anthropology.
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653 |
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|a Culture.
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653 |
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|a Disability.
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653 |
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|a European Art.
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653 |
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|a Exclusion.
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653 |
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|a Fine Arts.
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653 |
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|a Image.
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653 |
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|a Stigma.
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830 |
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|a Image (Transcript (Firm)) ;
|v v. 212.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371c17c
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7086827
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938 |
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|a De Gruyter
|b DEGR
|n 9783839462508
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938 |
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|a EBSCOhost
|b EBSC
|n 3384748
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|a 92
|b IZTAP
|