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|a Foliard, Daniel,
|e author.
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|a The violence of colonial photography /
|c Daniel Foliard.
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|a First English-language edition.
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|a Manchester :
|b Manchester University Press,
|c 2022.
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|c ©2022
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|a 1 online resource
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|a text
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|a "Published by Éditions La Découverte 2020."
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|a Front Matter -- Contents -- List of figures -- Foreword -- Acknowledgements -- Note on translation -- Introduction -- Repulsion, erasure, and loss of contrast -- Photography as power: force and counterforce -- Depths of field: darkrooms and conflicts prior to the 1890s -- Conflicts in the lens: from the 1890s to the First World War -- The public and the private: regimes of visibility -- Subversion, denunciation, and manipulation -- The enemy's body -- Paper cemeteries -- Invisible wars? Reflections of extra-European conflicts in France and Britain
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|a Conclusion: ceci n'est pas une illustration -- Notes -- Selected bibliography -- Index
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|a This book offers a new account of the development of conflict photography. It explores how the new technology of the camera was used in the British and French empires as a means of controlling subject populations, and how these populations found ways of turning the technology against their oppressors.
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|a Description based on online resource; title from digital title page (viewed on October 28, 2022).
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|a Includes bibliographical references and index.
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|a JSTOR
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|a War photography
|z France
|x History.
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650 |
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|a War photography
|z Great Britain
|x History.
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|a HISTORY / Modern / 19th Century
|2 bisacsh
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|a War photography.
|2 fast
|0 (OCoLC)fst01170549
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651 |
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|a France.
|2 fast
|0 (OCoLC)fst01204289
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|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
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|a Electronic books.
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Foliard, Daniel
|t The Violence of Colonial Photography
|d Manchester : Manchester University Press,c2023
|z 9781526163318
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2z860jt
|z Texto completo
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|a De Gruyter
|b DEGR
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|a ProQuest Ebook Central
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|n 3406832
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|a 92
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