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Women in American operas of the 1950s : undoing gendered archetypes /
"In the 1950s, composers and librettists in the United States were busy seeking to create an opera repertory that would be deeply responsive to American culture and American concerns. They did not break free, however, of the age-old paradigm so typically expressed in European opera: that is, of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, NY :
University of Rochester Press,
2023.
|
| Colección: | Eastman studies in music ;
v. 187. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hershberger, Monica A., |e author. | |
| 245 | 1 | 0 | |a Women in American operas of the 1950s : |b undoing gendered archetypes / |c Monica A. Hershberger. |
| 264 | 1 | |a Rochester, NY : |b University of Rochester Press, |c 2023. | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 online resource (x, 228 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Eastman studies in music ; |v 187 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a American Opera at Midcentury -- A Conniving Gold Digger : Elizabeth "Baby Doe" Tabor -- A "Really Vicious Monster" : Lizzie Andrew Borden -- A Chaste White Woman : Laurie Moss -- A Dangerous Jezebel : Susannah Polk -- Epilogue "The World So Wide" : Beyond the Virgin or the Whore in the Twenty-First Century. | |
| 520 | |a "In the 1950s, composers and librettists in the United States were busy seeking to create an opera repertory that would be deeply responsive to American culture and American concerns. They did not break free, however, of the age-old paradigm so typically expressed in European opera: that is, of women as either saintly and pure or sexually corrupt, with no middle ground. As a result, in American opera of the 1950s, women risked becoming once again opera's inevitable victims. Yet the sopranos who were tasked with portraying these paragons of virtue and their opposites did not always take them as their composers and librettists made them. Sometimes they rewrote, through their performances, the roles they had been assigned. Sometimes they used their lived experiences to invest greater authenticity in the roles. With chapters on The Tender Land, Susannah, The Ballad of Baby Doe, and Lizzie Borden, this book analyzes some of the most performed yet understudied works in the American-opera canon. It acknowledges Catherine Clément's famous description of opera as "the undoing of women," while at the same time illuminating how singers like Beverly Sills and Phyllis Curtin worked to resist such undoing, years before the official resurgence of the American feminist movement. In short, they ended up helping to dismantle powerful gendered stereotypes that had often reigned unquestioned in opera houses until then"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on April 05, 2023). | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Women in opera. | |
| 650 | 0 | |a Opera |z United States |y 20th century. | |
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| 650 | 7 | |a Opera. |2 fast |0 (OCoLC)fst01046145 | |
| 650 | 7 | |a Women in opera. |2 fast |0 (OCoLC)fst01177937 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 776 | 0 | 8 | |i Print version: |a Hershberger, Monica A. |t Women in American opera of the 1950s |d Rochester : University of Rochester Press, 2023 |z 9781648250613 |w (DLC) 2022046285 |
| 830 | 0 | |a Eastman studies in music ; |v v. 187. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2xqnf4q |z Texto completo |
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