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220924t20222022enka ob 001 0 eng d |
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|b eng
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|a 020821245
|2 Uk
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|a 9781787448391
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|a 1787448398
|q electronic book
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|b 000072806795
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|a UKMGB
|b 020821245
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|a (OCoLC)1345592335
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|a 22573/ctv134www1
|b JSTOR
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|a e-it---
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|a N6913
|b .L38 2022
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|a 709.45
|2 23/eng/20220927
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|a UAMI
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|a Late Medieval Italian art and its contexts :
|b essays in honour of Professor Joanna Cannon /
|c edited by Donal Cooper and Beth Williamson.
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|a Woodbridge :
|b Boydell & Brewer, Incorporated,
|c 2022.
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|c ©2022
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|a 1 online resource (xxvi, 1338 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Boydell Studies in Medieval Art and Architecture ;
|v [24]
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|a Includes bibliographical references and index.
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|a Late Medieval Italian Art and its Contexts: Essays in Honour of Professor Joanna Cannon -- Contents -- Illustrations -- Contributors -- Acknowledgements -- Abbreviations -- Introduction -- Holy Wood / 'sacra tavola': Saint Dominic and the Memory of Miracles in Bologna -- The Sculpted Saint: A Statue of Saint Francis in Siena -- Guccio di Mannaia and the Concept of a 'Franciscan' Chalice -- 'Speculum sine macula': The Trittico di Santa Chiara in Trieste as an Object of Clarissan Devotio -- The Siena Connection: A Franciscan Provincial Minister between Tuscany and Assisi
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|a Simone Martini's 'Treaty with the House of Santa Fiora' in Siena's Palazzo Pubblico -- Crisis and Charity in Fourteenth-Century Florence -- Father of Light: Giotto and the Beatific Vision in the Baroncelli Chapel -- Painter-Illuminator Workshops and the Church of San Giorgio a Ruballa -- Patterns of Holiness: A Virgin Lactans in a Franciscan Context -- A New Angle on Simone Martini's Holy Family -- Artistic Appropriation, Institutional Identity, and Civic Religion in Fourteenth-Century Siena -- Visual Religious Education in Late Medieval Florence
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|a Saints and Status in Late Medieval and Early Renaissance Florence -- Select Bibliography -- Publications by Joanna Cannon -- Index -- Tabula Gratulatoria -- Colour Plates
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|a Former doctoral students come together to write essays in tribute to their supervisor, Joanna Cannon, whose scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art.
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|a Description based on online resource; title from digital title page (viewed on December 12, 2022).
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Art, Medieval
|z Italy.
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|a Art, Italian
|y 13th century.
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|a Art, Italian
|y 14th century.
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|a Art italien
|y 13e siècle.
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|a Art italien
|y 14e siècle.
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|a Art, Italian
|2 fast
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|a Art, Medieval
|2 fast
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|a Italy
|2 fast
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|a 1200-1399
|2 fast
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|a Cooper, Donal,
|e editor.
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|a Williamson, Beth,
|e editor.
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|i Print version:
|a Cooper, Donal
|t Late Medieval Italian Art and Its Contexts
|d Woodbridge : Boydell & Brewer, Incorporated,©2022
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830 |
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|a Boydell studies in medieval art and architecture.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv134vnfg
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL29796426
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938 |
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|a EBSCOhost
|b EBSC
|n 3273558
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994 |
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|a 92
|b IZTAP
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