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T.O.B.A. time : Black vaudeville and the Theater Owners' Booking Association in Jazz-Age America /
"Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owner's Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry and provided a training ground for icons like Cab Callowa...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2023]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Scott, Michelle R., |d 1974- |e author. | |
| 245 | 1 | 0 | |a T.O.B.A. time : |b Black vaudeville and the Theater Owners' Booking Association in Jazz-Age America / |c Michelle R Scott. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2023] | |
| 300 | |a 1 online resource (xiv, 264 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Machine generated contents note: Preface -- Acknowledgments -- Introduction: They Called It T.O.B.A. Chapter 1. "Whistling Coons" No More: Race Uplift & the Path to T.O.B.A. -- Chapter 2. Hebrew, Negro, and American Owners: Black Vaudeville and Interracial Management -- Chapter 3. T.O.B.A Forms: The Interracial Business Plan for a New Negro Business -- Chapter 4. The Multiple Meanings of T.O.B.A: The Performers' Perspective -- Chapter 5. A Responsibility to Community: Circuit Theaters and Black Regional Audiences -- Chapter 6. "Trouble in Mind": The End of T.O.B.A. Time -- Epilogue: T.O.B.A.'s Legacy -- Appendix -- Notes -- Bibliography -- Index. | |
| 520 | |a "Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owner's Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry and provided a training ground for icons like Cab Calloway, Bessie Smith, Ethel Waters, Sammy Davis Jr., the Nicholas Brothers, Count Basie, and Butterbeans and Susie. Michelle R. Scott's institutional history details T.O.B.A.'s origins and practices while telling the little-known stories of the managers, producers, performers, and audience members involved in the circuit. Looking at the organization over its eleven-year existence (1920-1931), Scott places T.O.B.A. against the backdrop of what entrepreneurship and business development meant in black America at the time. Scott also highlights how intellectuals debated the social, economic, and political significance of black entertainment from the early 1900s through T.O.B.A.'s decline during the Great Depression.Clear-eyed and comprehensive, T.O.B.A. Time is a fascinating account of black entertainment and black business during a formative era"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on January 23, 2023). | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 610 | 2 | 2 | |a Theater Owners' Booking Association |x History. |
| 650 | 0 | |a Performing arts |z United States |x Management. | |
| 650 | 0 | |a Performing arts |z United States |x Marketing. | |
| 650 | 0 | |a African Americans in the performing arts. | |
| 650 | 0 | |a African American theater |x History. | |
| 650 | 0 | |a Vaudeville |z United States |x History and criticism. | |
| 650 | 7 | |a HISTORY / African American & Black. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies. |2 bisacsh | |
| 650 | 7 | |a HISTORY / General |2 bisacsh | |
| 650 | 7 | |a African American theater. |2 fast |0 (OCoLC)fst00799418 | |
| 650 | 7 | |a African Americans in the performing arts. |2 fast |0 (OCoLC)fst00799740 | |
| 650 | 7 | |a Performing arts |x Management. |2 fast |0 (OCoLC)fst01057909 | |
| 650 | 7 | |a Performing arts |x Marketing. |2 fast |0 (OCoLC)fst01057910 | |
| 650 | 7 | |a Vaudeville. |2 fast |0 (OCoLC)fst01164609 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Dance. |2 thema | |
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Scott, Michelle R., 1974- |t T.O.B.A. ti |d Urbana : University of Illinois Press, [2023] |z 9780252044885 |w (DLC) 2022028886 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5406/j.ctv35chj9t |z Texto completo |
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