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|a 1348486146
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|a 1478023627
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|q (electronic bk.)
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|a N6538.A83
|b H836 2022
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|a UAMI
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|a Huang, Vivian L.,
|d 1986-
|e author.
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|a Surface relations :
|b queer forms of Asian American inscrutability /
|c Vivian L. Huang.
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|a Durham :
|b Duke University Press,
|c 2022.
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|a 1 online resource (xii, 227 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Description based on online resource; title from digital title page (viewed on Sep. 11, 2023).
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|a Includes bibliographical references and index.
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|a Inscrutable Surfacing -- Invisibility and the Vanishing Point of Asian/American Visuality -- Silence and Parasitic Hospitality in the Works of Yoko Ono, Laurel Nakadate, and Emma Sulkowicz -- Im/penetrability, Trans Figuration, and Unreliable Surfacing -- Flatness, Industriousness, and Laborious Flexibility -- Distance, Negativity, and Slutty Sociality in Tseng Kwong Chi's Performance Photographs -- Something Is Missing.
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|a "In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art since 1965, Huang articulates how Asian American artists take up aesthetics of Asian inscrutability-such as invisibility, silence, unreliability, flatness, and withholding-to express Asian American life. Through analyses of diverse works by performance artists (Tehching Hsieh, Baseera Khan, Emma Sulkowicz, Tseng Kwong Chi), writers (Kim Fu, Kai Cheng Thom, Monique Truong), and video, multimedia, and conceptual artists (Laurel Nakadate, Yoko Ono, Mika Tajima), Huang challenges neoliberal narratives of assimilation that erase Asianness. By using sound, touch, and affect, these artists and writers create new frameworks for affirming Asianness as a source of political and social critique and innovative forms of life and creativity."--
|c Provided by publisher.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Asian American art
|y 20th century.
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650 |
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|a Asian American art
|y 21st century.
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|a Asian American art
|x Themes, motives.
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|a Asian American artists.
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|a American literature
|x Asian American authors
|x Themes, motives.
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|a Group identity in art.
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|a Art américain (asiatique)
|y 20e siècle.
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|a Art américain (asiatique)
|y 21e siècle.
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|a Art américain (asiatique)
|x Thèmes, motifs.
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|a Artistes américains d'origine asiatique.
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|a Littérature américaine
|x Auteurs américains d'origine asiatique
|x Thèmes, motifs.
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|a Identité collective dans l'art.
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|a SOCIAL SCIENCE / LGBTQ Studies / General.
|2 bisacsh
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|a SOCIAL SCIENCE / Ethnic Studies / American / Asian American & Pacific Islander Studies.
|2 bisacsh
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|a SOCIAL SCIENCE / Ethnic Studies / Asian American Studies
|2 bisacsh
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|a Group identity in art
|2 fast
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|a Asian American artists
|2 fast
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|a Asian American art
|2 fast
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|a 1900-2099
|2 fast
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0 |
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|i Print version:
|a Huang, Vivian L., 1986-
|t Surface relations.
|d Durham : Duke University Press, 2022
|z 9781478016359
|z 9781478018995
|w (DLC) 2022004178
|w (OCoLC)1292971145
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2z6qfff
|z Texto completo
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