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Electric Seeing : Positions in Contemporary Video Art /

What is the subject of video? Charlotte Klink traces the development of electromagnetism in the pursuit of "Electric Seeing" that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Klink, Charlotte (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : transcript Verlag, [2022]
Colección:Image (Transcript (Firm)) ; v. 193.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Electric Seeing :  |b Positions in Contemporary Video Art /  |c Charlotte Klink. 
264 1 |a Bielefeld :  |b transcript Verlag,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (348 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Image,  |x 2702-9557 ;  |v volume 193 
500 |a Based on thesis (doctoral)--Staatliche Akademie der Bildenden Künste, Stuttgart, 2020. 
504 |a Includes bibliographical references and index. 
520 |a What is the subject of video? Charlotte Klink traces the development of electromagnetism in the pursuit of "Electric Seeing" that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as "video". This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana and Hito Steyerl, and Bjørn Melhus. 
536 |a Funded by Minerva Stiftung Gesellschaft für die Forschung mbH 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022). 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a Video art  |x History. 
650 0 |a Electromagnetism. 
650 4 |a Aesthetics. 
650 4 |a Art History. 
650 4 |a Art. 
650 4 |a Fine Arts. 
650 4 |a Image. 
650 4 |a Media Aesthetics. 
650 4 |a Media Art. 
650 4 |a Media. 
650 4 |a Psychoanalysis. 
650 6 |a Art vidéo  |x Histoire. 
650 6 |a Électromagnétisme. 
650 7 |a electromagnetism.  |2 aat 
650 7 |a ART / Film & Video.  |2 bisacsh 
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650 7 |a Video art  |2 fast 
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653 |a Art History. 
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653 |a Image. 
653 |a Media Aesthetics. 
653 |a Media Art. 
653 |a Media. 
653 |a Psychoanalysis. 
655 7 |a History  |2 fast 
710 2 |a Minerva Stiftung Gesellschaft für die Forschung mbH,  |e funder.  |4 fnd  |4 http://id.loc.gov/vocabulary/relators/fnd 
776 0 8 |i Print version:  |a Klink, Charlotte.  |t Electric seeing.  |d Bielefeld : transcript Verlag, [2022]  |z 9783837657005  |w (OCoLC)1261306952 
830 0 |a Image (Transcript (Firm)) ;  |v v. 193. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371chdq  |z Texto completo 
880 0 0 |6 505-00/Zsym  |g I.  |t Video--I See --  |t Three approaches --  |g 1.  |t Heterogeneity --  |g 2.  |t Technology --  |g 3.  |t Etymology --  |g II.  |t Medium and Index --  |g 1.  |t The Medium --  |g 2.  |t The Index --  |g III.  |t The Aesthetics of Narcissism: Medium, Perspective, Subject, Body --  |t Aesthetics of Narcissism--An Introduction --  |g 1.  |t "A Commonplace of Criticism"-- Two Moments of Video's Aesthetic Heritage --  |g 2.  |t Medium, Subject, Body --  |g 3.  |t The Aesthetics of Narcissism --  |g IV.  |t Video: The Aesthetics Of Phantasm --  |t On Si[gh]t(e): The Video Condition --  |g 1.  |t Apparatus --  |g 2.  |t From the Imaginary to the Phantasm --  |g 3.  |t The Phantasm--$ ◊ a --  |t Transformation of a Missed Encounter: Circulation, Lack, Drive --  |t Appendix. Bodies, Testifying: The Performance Works of Alexandra Pirici and Anne Imhof. 
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