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|a GBC2M2237
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|a 020821554
|2 Uk
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|a 1342248078
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|a 9781800108011
|q electronic book
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|a (OCoLC)1342500289
|z (OCoLC)1342248078
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|a 22573/ctv2hz7k33
|b JSTOR
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|a PR203
|b .B74 2022
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|a PR1587.P4
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|a 829/.1009
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|a UAMI
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|a Breeze, Steven J. A.,
|e author.
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|a Performance in Beowulf and other Old English poems /
|c Steven J.A. Breeze.
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|a Cambridge :
|b D. S. Brewer,
|c 2022.
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|a 1 online resource (xi, 264 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Anglo-Saxon studies ;
|v 45
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|a Includes bibliographical references and index.
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|g Introduction:
|t Realising the Intangible --
|t Instruments of the Poet : Exploiting the Old English Lexis --
|t Multiformity and the Orality of Associative, Architectonic Poetics --
|t Providence and Pleasure : Performance as Symbol --
|t Storytelling in Beowulf and Meta-storytelling in Andreas --
|t Wisdom and Power : Philosophies of Performance --
|t Theme Song s: An English Tradition of Performance? --
|t The Lure of the Lyre : Interpretation, Reenactment, and the Corpus --
|g Conclusion:
|t 'Poetic Performance'.
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|a "Acts of performance, such as music, storytelling, and poetry recital, have made significant contributions to the rediscovery and widening popularity of Old English poetry. However, while these performances capture the imagination, they also influence an audience's view of the world of the original poems, even to propagating certain assumptions, particularly those to do with performance practices. By stripping away these assumptions, this book aims to uncover the ways in which representations of performance in Old English poetry are intimately associated with poetic production and fundamental cultural concerns. Through an examination of Beowulf, diverse wisdom poems, and the "artist" poems Deor and Widsith, it proposes that poets constructed an imaginary domain of "poetic performance", which negotiated tensions between early medieval creativity and core social beliefs. It also shows how the poems' relationship with oral methods of composition and circulation weakened in later medieval poetry as both language and poetic form altered. Overall, the book explores what depictions of performance within these texts can tell us about early medieval conceptualisations, processes, and practices, in the poetic imagination and in wider culture. Through an analysis of Eddic poetry and Laȝamon's Brut, it also highlights a tradition of "poetic performance" in English poetics." --
|c Provided by the publisher.
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|a Description based on online resource; title from digital title page (viewed on October 13, 2022).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Beowulf.
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|a Beowulf
|2 fast
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|a English poetry
|y Old English, ca. 450-1100
|x History and criticism.
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650 |
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|a Performance in literature.
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650 |
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|a Poésie anglaise
|y ca 450-1100 (Vieil anglais)
|x Histoire et critique.
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|a Rendement au travail dans la littérature.
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650 |
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|a English poetry
|x Old English
|2 fast
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|a Performance in literature
|2 fast
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|a 450-1100
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Breeze, Steven J. A.
|t Performance in Beowulf and Other Old English Poems
|d Woodbridge : Boydell & Brewer, Limited,c2022
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830 |
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|a Anglo-Saxon studies ;
|v 45.
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4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2j04t70
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7076837
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938 |
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|a YBP Library Services
|b YANK
|n 303089070
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938 |
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|a EBSCOhost
|b EBSC
|n 3268646
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|a 92
|b IZTAP
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