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|d JSTOR
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|a 020468867
|2 Uk
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|a 1377817630
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|a 9781526115959
|q (electronic bk.)
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|a 9781526115942
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|a 1526115948
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|z 9780719097928 (hbk.)
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|b 020468867
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|a (OCoLC)1338673056
|z (OCoLC)1377817630
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|a ManchesterUniversityPress9306
|b Ingram Content Group
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|a 22573/cats2922820
|b JSTOR
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|a PN1992.65
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|a 791.4572
|2 23
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|a UAMI
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|a Screen plays :
|b theatre plays on British television /
|c edited by Amanda Wrigley, John Wyver.
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|a Manchester :
|b Manchester University Press,
|c 2022.
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|a 1 online resource :
|b illustrations (black and white)
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|a text
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|a <P>Introduction -- Amanda Wrigley and John Wyver <br>1 Stages and the small screen: theatre plays as television drama since 1930 -- John Wyver<br>2 A duchess, a shoemaker and a knight: early modern drama, early British television -- Lisa Ward <br>3 'This genuine theatre condition': Basil Dean and the 1938 BBC outside broadcast of J. B. Priestley's <i>When We Are Married </i>- Victoria Lowe<br>4 'Our other Shakespeare': Middleton's tragedies on television, 1965-2009 -- Susanne Greenhalgh<br>5 A revival, a reworking and an original: the Harold Pinter season on <i>Theatre 625</i> (BBC2, 1967) -- Amanda Wrigley and Billy Smart<br>6 Regional drama from stage to screen: television adaptations by Peter Cheeseman's Victoria Theatre company -- Lez Cooke<br>7 Granada Television's experiment with The Stables Theatre Company, 1969-70 -- John Wyver<br>8 From radical Black theatre production to television adaptation: <i>Black Feet in the Show</i> (BBC, 1974) -- Sally Shaw<br>9 Cedric Messina: producing theatrical classics with a decorative aesthetic -- Billy Smart<br>10 <i>Abigail's Party</i>: 'It's not a question of ignorance, Laurence, it's a question of taste' -- Ruth Adams <br>11 Screen and stage space in Beckett's theatre plays on television -- Jonathan Bignell<br>12 Television's natural disposition? An analysis of Naturalism and performance in relation to BBC productions of Ibsen's plays -- Stephen Lacey<br>13 Remediating the real: verbatim plays on television in the new millennium -- Cyrielle Garson<br>14 The impact of television on scholarly editions of Shakespeare's plays -- Neil Taylor<br>Index</p>
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|a Description based on CIP data; resource not viewed.
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|a Screen plays is a ground-breaking volume thatchronicles the rich and surprising history of stage plays produced for the small screen between 1930 and today. The collection makes a compelling case for the centrality of the theatre to the past and present of British television drama.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Television plays, English
|x History and criticism.
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|a Television and theater
|z Great Britain
|x History.
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|a Television and theater.
|2 fast
|0 (OCoLC)fst01146700
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|a Television plays, English.
|2 fast
|0 (OCoLC)fst01146997
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|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Wrigley, Amanda,
|e editor.
|1 https://isni.org/isni/0000000117100735.
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|a Wyver, John,
|e editor.
|1 https://isni.org/isni/0000000117904063.
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|i Print version:
|z 9780719097928
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.2960263
|z Texto completo
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|a ProQuest Ebook Central
|b EBLB
|n EBL30507012
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|a 92
|b IZTAP
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