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220726s2022 ncua ob 001 0 eng c |
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|a NDD
|b eng
|e rda
|c NDD
|d P@U
|d EBLCP
|d JSTOR
|d DEGRU
|d OCLCQ
|d OCL
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|a 9781478023388
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|a 1478023384
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|z 9781478016113
|q (hardcover)
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|z 1478016116
|q (hardcover)
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|z 9781478018759
|q (paperback)
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|z 1478018755
|q (paperback)
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|a (OCoLC)1337391278
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|a 22573/ctv2vqp23k
|b JSTOR
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|a pcc
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|a HV7936.T4
|b M66 2022
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|a SOC
|x 063000
|2 bisacsh
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|a SOC
|x 052000
|2 bisacsh
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|a ART
|x 015110
|2 bisacsh
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|a 363.2/32
|2 23/eng/20220528
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|a UAMI
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|a Monahan, Torin,
|e author.
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|a Crisis vision :
|b race and the cultural production of surveillance /
|c Torin Monahan.
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|a Durham :
|b Duke University Press,
|c 2022.
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|a 1 online resource (xiii, 214 pages) :
|b illustrations
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|a text
|2 rdacontent
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|a computer
|2 rdamedia
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|a online resource
|2 rdacarrier
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|a Description based on print version record.
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|a Includes bibliographical references and index.
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|a Avoidance -- Transparency -- Complicity -- Violence -- Disruption.
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|a "In Crisis Vision, Torin Monahan uses critical arts projects as an entry point to investigate the racializing effects of contemporary surveillance. The book explores the surveillance vocabularies such artworks generate, the subjectivities and relationships they represent and catalyze, their assumptions and omissions, and their participation in the cultural production of surveillance as a social category. Monahan develops the concept of "crisis vision" to describe a pervasive, destructive way of seeing that amplifies differences among individuals and inspires the scapegoating of those marked as Other. Monahan turns to artwork that engages with opacity, an aesthetic intervention that interferes with crisis vision by rejecting authorized regimes of visibility. These artworks, including Kai Wiedenhöfer's WALLonWALL project, Dries Depoorter's Jaywalking project, and Dread Scott's installation Stop, challenge viewers to question their own place within inherently unjust social orders-emphasizing ethical relations between strangers and thereby disrupting crisis vision."--
|c Provided by publisher.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Electronic surveillance
|x Social aspects.
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|a Surveillance in art
|x Social aspects.
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|a Art
|x Political aspects.
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|a Art and race.
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|a Social practice (Art)
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|a Art and society
|x History
|y 21st century.
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650 |
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|a ART / History / Contemporary (1945-)
|2 bisacsh
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|a SOCIAL SCIENCE / Privacy & Surveillance (see also POLITICAL SCIENCE / Privacy & Surveillance)
|2 bisacsh
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|a Social practice (Art)
|2 fast
|0 (OCoLC)fst01938493
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650 |
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|a Electronic surveillance
|x Social aspects.
|2 fast
|0 (OCoLC)fst00907482
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650 |
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|a Art
|x Political aspects.
|2 fast
|0 (OCoLC)fst00815309
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|a Art and society.
|2 fast
|0 (OCoLC)fst00815432
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|a Art and race.
|2 fast
|0 (OCoLC)fst00815423
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|a 2000-2099
|2 fast
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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0 |
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|i Print version:
|a Monahan, Torin.
|t Crisis vision.
|d Durham : Duke University Press, 2022
|z 9781478016113
|z 9781478018759
|w (DLC) 2021056771
|w (OCoLC)1285874086
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2vr9d0b
|z Texto completo
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938 |
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|a De Gruyter
|b DEGR
|n 9781478023388
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7074814
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938 |
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|a Project MUSE
|b MUSE
|n musev2_102388
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994 |
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|a 92
|b IZTAP
|