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Breaks in the air : the birth of rap radio in New York City /

"Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and le...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Klaess, John, 1990- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2022.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Klaess, John,  |d 1990-  |e author. 
245 1 0 |a Breaks in the air :  |b the birth of rap radio in New York City /  |c John Klaess. 
264 1 |a Durham :  |b Duke University Press,  |c 2022. 
264 4 |c ©2022 
300 |a 1 online resource (xiv, 218 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
588 |a Description based on print version record. 
504 |a Includes bibliographical references (pages 175-214) and index. 
505 0 |a Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's Rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome 2 Show. 
520 |a "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York."--  |c Provided by publisher. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Rap (Music)  |z New York (State)  |z New York  |x History and criticism. 
650 0 |a African American radio stations  |z New York (State)  |z New York. 
650 0 |a Radio stations  |z New York (State)  |z New York  |x History. 
650 0 |a Radio broadcasting  |x Deregulation  |z New York (State)  |z New York. 
650 0 |a Radio in popular culture  |z New York (State)  |z New York. 
650 6 |a Radio noire américaine  |z New York (État)  |z New York. 
650 6 |a Stations de radio  |z New York (État)  |z New York  |x Histoire. 
650 6 |a Radio  |x Déréglementation  |z New York (État)  |z New York. 
650 6 |a Radio dans la culture populaire  |z New York (État)  |z New York. 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies.  |2 bisacsh 
650 7 |a MUSIC / Genres & Styles / Rap & Hip Hop.  |2 bisacsh 
650 7 |a Rap (Music)  |2 fast 
650 7 |a Radio stations  |2 fast 
650 7 |a Radio in popular culture  |2 fast 
650 7 |a Radio broadcasting  |x Deregulation  |2 fast 
650 7 |a African American radio stations  |2 fast 
651 7 |a New York (State)  |z New York  |2 fast 
655 7 |a History  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Klaess, John, 1990-  |t Breaks in the air.  |d Durham : Duke University Press, 2022  |z 9781478016236  |z 9781478018872  |w (DLC) 2021059695  |w (OCoLC)1286794646 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2vr9cvs  |z Texto completo 
938 |a De Gruyter  |b DEGR  |n 9781478023500 
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