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Memory, music, manuscripts : the ritual dynamics of Kōshiki in Japanese Sōtō Zen /

"Kōshiki (Buddhist ceremonials) belong to a shared ritual repertoire of Japanese Buddhism that began with Tendai Pure Land belief in the late tenth century and spread to all Buddhist schools, including Sōtō Zen in the thirteenth century. In Memory, Music, Manuscripts, Michaela Mross elegantl...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mross, Michaela (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Honolulu : University of Hawaiʻi Press, [2022]
Colección:Studies in East Asian Buddhism ; no. 30.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Memory, music, manuscripts :  |b the ritual dynamics of Kōshiki in Japanese Sōtō Zen /  |c Michaela Mross. 
264 1 |a Honolulu :  |b University of Hawaiʻi Press,  |c [2022] 
300 |a 1 online resource (1 volume) :  |b illustrations. 
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490 1 |a Studies in East Asian Buddhism ;  |v 30 
500 |a "A Kuroda Institute book." 
504 |a Includes bibliographical references and index. 
505 0 |a History of Kōshiki -- Ritual Structure of Sōtō Kōshiki -- Kōshiki as Music Practice -- Early Modern Lineage Divergences -- Innovations in the Meiji Era. 
520 |a "Kōshiki (Buddhist ceremonials) belong to a shared ritual repertoire of Japanese Buddhism that began with Tendai Pure Land belief in the late tenth century and spread to all Buddhist schools, including Sōtō Zen in the thirteenth century. In Memory, Music, Manuscripts, Michaela Mross elegantly combines the study of premodern manuscripts and woodblock prints with ethnographic fieldwork to illuminate the historical development of the highly musical kōshiki rituals performed by Sōtō Zen clerics. She demonstrates how ritual change is often shaped by factors outside the ritual context per se-by, for example, institutional interests, evolving biographic images of eminent monks, or changes in the cultural memory of a particular lineage. Her close study of the fascinating world of kōshiki in Sōtō Zen sheds light on Buddhism as a lived religion and the interplay of ritual, doctrine, literature, collective memory, material culture, and music. Mross highlights in particular the importance of the sonic dimension in rituals. Scholars of Buddhist and ritual studies have largely overlooked the soundscapes of rituals despite the importance of music for many ritual specialists and the close connection between the acquisition of ritual expertise and learning to vocalize sacred texts or play musical instruments. Indeed, Sōtō clerics strive to perfect their vocal skills and view kōshiki and the singing of liturgical texts as vital Zen practices and an expression of buddhahood-similar to seated meditation. Innovative and groundbreaking, Memory, Music, Manuscripts is the first in-depth study of kōshiki in Zen Buddhism and the first monograph in English on this influential liturgical genre. A companion website featuring video recordings of selected kōshiki performances is available at https://searchworks.stanford.edu/view/dq109wp7548"--  |c Provided by publisher. 
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