|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1335121595 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
220701t20232023nyua ob 001 0 eng |
010 |
|
|
|a 2022013463
|
040 |
|
|
|a DLC
|b eng
|e rda
|e pn
|c DLC
|d OCLCF
|d JSTOR
|d P@U
|d N$T
|d YDX
|d OCLCQ
|d YDX
|d EBLCP
|d DEGRU
|d STBDS
|d OCLCO
|
019 |
|
|
|a 1335122502
|a 1362758033
|
020 |
|
|
|a 9781501767814
|q electronic book
|
020 |
|
|
|a 150176781X
|q electronic book
|
020 |
|
|
|a 9781501767807
|q electronic book
|
020 |
|
|
|a 1501767801
|q electronic book
|
020 |
|
|
|z 9781501767791
|q hardcover
|
020 |
|
|
|z 1501767798
|
029 |
1 |
|
|a AU@
|b 000072175801
|
035 |
|
|
|a (OCoLC)1335121595
|z (OCoLC)1335122502
|z (OCoLC)1362758033
|
037 |
|
|
|a 22573/ctv2f6wp36
|b JSTOR
|
042 |
|
|
|a pcc
|
050 |
0 |
4 |
|a AM231
|b .P48 2023
|
072 |
|
7 |
|a LIT
|x 024050
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 015100
|2 bisacsh
|
072 |
|
7 |
|a HIS
|x 014000
|2 bisacsh
|
082 |
0 |
0 |
|a 790.1/32
|2 23/eng/20220707
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Pfeifer, Annie,
|e author.
|
245 |
1 |
0 |
|a To the collector belong the spoils :
|b modernism and the art of appropriation /
|c Annie Pfeifer.
|
264 |
|
1 |
|a Ithaca :
|b Cornell University Press,
|c 2023.
|
264 |
|
4 |
|c ©2023
|
300 |
|
|
|a 1 online resource (xiv, 347 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a Introduction: Dangerous Passions -- "Morceaux de musée": James's Human Bibelots -- Sardanapalus's Hoard -- The Collector in a Collectivist State -- Trash-Talking in The Arcades Project -- The Collector and His Circle -- Dilettante of Wonder: Einstein and Documents -- Epilogue: Hoarding in a Digital Age.
|
520 |
|
|
|a "Rethinks collecting as an artistic, revolutionary, and appropriative modernist practice that flourishes beyond institutions like museums or archives and examines the relationship between literary modernism and twentieth-century practices of collecting objects through three author-collectors, Walter Benjamin, Carl Einstein, and Henry James"--
|c Provided by publisher
|
588 |
|
|
|a Description based on online resource; title from digital title page (viewed on January 23, 2023).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
600 |
1 |
0 |
|a Benjamin, Walter,
|d 1892-1940
|x Criticism and interpretation.
|
600 |
1 |
0 |
|a Einstein, Carl,
|d 1885-1940
|x Criticism and interpretation.
|
600 |
1 |
0 |
|a James, Henry,
|d 1843-1916
|x Criticism and interpretation.
|
600 |
1 |
7 |
|a Benjamin, Walter,
|d 1892-1940
|2 fast
|
600 |
1 |
7 |
|a Einstein, Carl,
|d 1885-1940
|2 fast
|
600 |
1 |
7 |
|a James, Henry,
|d 1843-1916
|2 fast
|
650 |
|
0 |
|a Collectors and collecting
|x Philosophy.
|
650 |
|
0 |
|a Modernism (Literature)
|x History
|y 20th century.
|
650 |
|
7 |
|a LITERARY CRITICISM / Modern / General .
|2 bisacsh
|
650 |
|
7 |
|a Collectors and collecting
|x Philosophy
|2 fast
|
650 |
|
7 |
|a Modernism (Literature)
|2 fast
|
650 |
|
7 |
|a Lifestyle, hobbies & leisure.
|2 thema
|
650 |
|
7 |
|a Hobbies and Games.
|2 ukslc
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
0 |
|a Electronic books.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
655 |
|
7 |
|a History
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Pfeifer, Annie.
|t To the collector belong the spoils.
|d Ithaca : Cornell University Press, 2023
|z 9781501767791
|w (DLC) 2022013462
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv2f9xrzs
|z Texto completo
|
938 |
|
|
|a Oxford University Press USA
|b OUPR
|n 9781501767814
|
938 |
|
|
|a De Gruyter
|b DEGR
|n 9781501767814
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6938064
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 3212666
|
938 |
|
|
|a Project MUSE
|b MUSE
|n musev2_100313
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 304158511
|
994 |
|
|
|a 92
|b IZTAP
|