Infrastructure and form : the global networks of Indian contemporary art, 1991-2008 /

In the 1990s and 2000s, contemporary art in India changed radically in form, as an art world once dominated by painting began to support installation, new media, and performance. In response to the liberalization of India's economy, art was cultivated by a booming market as well as by new nonpr...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zitzewitz, Karin (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2022]
Temas:
1900-2099
Art, Indic > 20th century.
Art, Indic > 21st century.
Painting, Indic > 20th century.
Painting, Indic > 21st century.
ART / Asian / Indian & South Asian.
Art, Indic.
Painting, Indic.
Acceso en línea:Texto completo

MARC

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245 1 0 |a Infrastructure and form :  |b the global networks of Indian contemporary art, 1991-2008 /  |c Karin Zitzewitz. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2022] 
300 |a 1 online resource (x, 277 pages) :  |b color illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource; title from PDF title page (ProQuest Ebook Central, viewed September 12, 2022). 
520 |a In the 1990s and 2000s, contemporary art in India changed radically in form, as an art world once dominated by painting began to support installation, new media, and performance. In response to the liberalization of India's economy, art was cultivated by a booming market as well as by new nonprofit institutions that combined strong local roots and transnational connections. The result was an unprecedented efflorescence of contemporary art and growth of a network of institutions radiating out from India. Among the first studies of contemporary South Asian art, Infrastructure and Form engages. 
505 0 0 |t Frontmatter --  |t CONTENTS --  |t ACKNOWLEDGMENTS --  |t INTRODUCTION --  |t 1 FEMINIST NETWORKS, NEW BIENNIALS, AND PERFORMANCE --  |t 2 PAINTING AND THE IMAGE CONDITION AT THE MILLENNIUM --  |t 3 MATERIALITY, EPHEMERALITY, HAPTICS --  |t 4 LANGUAGE, THE DOCUMENTARY, AND ART IN A DISCURSIVE MODE --  |t 5 INFRASTRUCTURE, COLLABORATION, AND THE CUT --  |t CONCLUSION: Infrastructure Is Not (Only) a Metaphor --  |t NOTES --  |t BIBLIOGRAPHY --  |t ILLUSTRATIONS --  |t INDEX 
590 |a JSTOR  |b Books at JSTOR All Purchased 
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650 0 |a Art, Indic  |y 20th century. 
650 0 |a Art, Indic  |y 21st century. 
650 0 |a Painting, Indic  |y 20th century. 
650 0 |a Painting, Indic  |y 21st century. 
650 7 |a ART / Asian / Indian & South Asian.  |2 bisacsh 
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650 7 |a Painting, Indic.  |2 fast  |0 (OCoLC)fst01050878 
648 7 |a 1900-2099  |2 fast 
776 0 8 |i Print version:  |a Zitzewitz, Karin.  |t Infrastructure and form.  |d Oakland, California : University of California Press, [2022]  |z 9780520344921  |w (DLC) 2021051564  |w (OCoLC)1273122934 
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938 |a De Gruyter  |b DEGR  |n 9780520387096 
994 |a 92  |b IZTAP 

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