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The Clear Line in Comics and Cinema A Transmedial Approach.
The "clear line", a term coined in 1977 by Dutch essayist and artist Joost Swarte, has become shorthand in the field of comics studies for the style originally developed by Hergé and the École de Bruxelles. It refers to certain storytelling strategies that generate a deceptively simple,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
2022.
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| Colección: | Studies in European Comics and Graphic Novels Ser.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Pinho Barros, David. | |
| 245 | 1 | 4 | |a The Clear Line in Comics and Cinema |h [electronic resource] : |b A Transmedial Approach. |
| 260 | |a Leuven : |b Leuven University Press, |c 2022. | ||
| 300 | |a 1 online resource (267 p.). | ||
| 490 | 1 | |a Studies in European Comics and Graphic Novels Ser. ; |v v.10 | |
| 500 | |a Description based upon print version of record. | ||
| 504 | |a Includes bibliographical references. | ||
| 520 | |a The "clear line", a term coined in 1977 by Dutch essayist and artist Joost Swarte, has become shorthand in the field of comics studies for the style originally developed by Hergé and the École de Bruxelles. It refers to certain storytelling strategies that generate a deceptively simple, lucid, and hygienic narration: in Philippe Marion?s words, it is a style "made out of light, fluidity and limpid clarity". By cataloguing and critically analysing clear line comics from historical and theoretical perspectives, this book offers a new outlook on the development of the style in the 20th and 21st centuries, especially focused on the context of the European "bande dessinée". In addition, it pioneeringly expands the concept of "clear line" to other artistic domains by introducing and defending its transmedial use, which is particularly relevant for the understanding of the oeuvres of certain filmmakers of the 20th century working in the postwar period, such as Yasujirô Ozu in Japan, Jacques Tati in France and Frank Tashlin in the United States. 'The Clear Line in Comics and Cinema' is therefore a key theoretical work for both "bande dessinée" enthusiasts and comics scholars, as well as a fundamental contribution to present-day film studies and transmedial narratology. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Comic books, strips, etc. |x History and criticism. | |
| 650 | 0 | |a Motion pictures |x History. | |
| 650 | 7 | |a Comic books, strips, etc. |2 fast |0 (OCoLC)fst00869145 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Pinho Barros, David |t The Clear Line in Comics and Cinema |d Leuven : Leuven University Press,c2022 |z 9789462703209 |
| 830 | 0 | |a Studies in European Comics and Graphic Novels Ser. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv26dhj8r |z Texto completo |
| 938 | |a Project MUSE |b MUSE |n musev2_109340 | ||
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| 938 | |a ProQuest Ebook Central |b EBLB |n EBL7024269 | ||
| 938 | |a EBSCOhost |b EBSC |n 3128017 | ||
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| 994 | |a 92 |b IZTAP | ||