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|a 0813195896
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|a UAMI
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|a Ceplair, Larry,
|e author.
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|a The Hollywood motion picture blacklist :
|b seventy-five years later /
|c Larry Ceplair.
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|a Lexington, Kentucky :
|b University Press of Kentucky,
|c [2022]
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|a 1 online resource (xi, 234 pages)
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|a text
|b txt
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|a Includes bibliographical references, index, and filmographies.
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|a 1. Looking Back -- 2. Jewish Anti-Communism in the United States and Hollywood -- 3. A Debate over the Politics and Morality of Cooperative and Uncooperative Witnesses Who Testified before the House Committee on Un-American Activities, 1947-1953 -- 4. Dashiell Hammett: The White-Haired Communist Ghost of Hollywood -- 5. Isobel Lennart and the Dynamics of Informing in Hollywood -- 6. Ring Lardner Jr. and the Hollywood Blacklist -- 7. Shedding Light on Darkness at High Noon -- 8. Looking Ahead
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|a Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted as the result of rumors. The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Author Larry Ceplair draws on previously published work while introducing new material to vigorously recount the events that took place between the US government, Hollywood unions, and motion picture studios. Ceplair thoroughly examines the role of Jewish identity in many anti-communist efforts-a concept that has never been fully examined by scholars-and analyzes the actions of subpoenaed witnesses who were forced to choose between cooperating with the House Committee or joining the blacklist. This fascinating book is an illuminating examination of a dark period in American history and the fragility of our rights to free speech and due process.
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|a Online resource; title from digital title page (viewed on June 28, 2022).
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|a Motion picture industry
|z United States.
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|a Blacklisting of entertainers
|z United States.
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|a Communism
|z United States.
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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650 |
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|a Blacklisting of entertainers.
|2 fast
|0 (OCoLC)fst00833874
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650 |
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|a Communism.
|2 fast
|0 (OCoLC)fst00870421
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|a Motion picture industry.
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|0 (OCoLC)fst01027150
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|a United States.
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|0 (OCoLC)fst01204155
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2ndwxd0
|z Texto completo
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|a ProQuest Ebook Central
|b EBLB
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|a YBP Library Services
|b YANK
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