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|a UAMI
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|a Drawing the curtain :
|b Cervantes's theatrical revelations /
|c edited by Esther Fernández and Adrienne L. Martín.
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|a Toronto ;
|a Buffalo ;
|a London :
|b University of Toronto Press,
|c [2022]
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|a 1 online resource (371 pages) :
|b color illustrations.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Toronto Iberic ;
|v 78
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|a Includes bibliographical references and index.
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|a "Miguel de Cervantes's experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes's prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook's notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes's omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness."--
|c Provided by publisher.
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|a Introduction: The Poetics of the Imagined Stage / Esther Fernández and Adrienne L. Martín -- Part One: Alternate Theatricalities in Cervantes's Drama -- 1. Cervantes and the Simple Stage / Bruce R. Burningham -- 2. Queer Cambalaches in El rufián dichoso / John Slater -- 3. Of Players and Wagers: The Theatricality of Gambling for Salvation in El rufián dichoso / Sonia Velázquez -- 4. Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato de Argel / Julia Domínguez -- 5. Captivating Music, Memory, and Emotions in Los baños de Argel / Sherry Velasco -- 6. In the Name of Love: Cervantes's Play on Captivity in La gran sultana / Ana Laguna -- 7. Revolving Sets: Spatial Revelations in the Entremeses / Esther Fernández and Adrienne L. Martín -- Part Two: Acts of Disclosure in Cervantes's Prose -- 8. Coups de théâtre in the Novelas ejemplares -- B.W. Ife -- 9. Captive Audiences: Performing Captivity in Cervantes's Prose Narrative / Catherine Infante -- 10. Painting into Theatre: "The Suicide of Lucretia" as a Tableau Vivant in El curioso impertinente / Mercedes Alcalá-Galán -- 11. "Muchas y muy verdaderas señales" The Theatrics of Truth and Sincerity of Fiction in La Galatea / Paul Michael Johnson -- 12. Eavesdropping or Spying? Secret Places and Spaces in Don Quixote / Eduardo Olid Guerrero -- 13. Don Quixote and the Performance of Aging Masculinities in Early Modern Spain / José R. Cartagena Calderón
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|a Description based on online resource; title from digital title page (viewed on January 24, 2023).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Cervantes Saavedra, Miguel de,
|d 1547-1616
|x Criticism and interpretation.
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|a Cervantes Saavedra, Miguel de,
|d 1547-1616
|2 fast
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|a Revelation in literature.
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|a Theater in literature.
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|a Révélation dans la littérature.
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|a Théâtre dans la littérature.
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|a LITERARY CRITICISM / Renaissance
|2 bisacsh
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|a Revelation in literature
|2 fast
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|a Theater in literature
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Fernández, Esther,
|d 1975-
|e editor.
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|a Martín, Adrienne L.,
|e editor.
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|i Print version:
|t Drawing the curtain.
|d Toronto ; Buffalo ; London : University of Toronto Press, 2022
|z 1487508778
|z 9781487508777
|w (OCoLC)1304814867
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830 |
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|a Toronto Iberic ;
|v 78.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.3138/j.ctv31nzk5v
|z Texto completo
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