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Distant stage : Quebec, Brazil, and the making of Canada's cultural diplomacy /

"It is a little-known fact that the first cultural agreement Canada signed was with Brazil in 1944. The two countries' rapprochement launched a flurry of activity connecting Montreal to Rio de Janeiro amid the turbulence of war and its aftermath. Why Brazil? And what could songs and painti...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fillion, Eric (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2022]
Colección:Rethinking Canada in the world ; 13.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Fillion, Eric,  |e author. 
245 1 0 |a Distant stage :  |b Quebec, Brazil, and the making of Canada's cultural diplomacy /  |c Eric Fillion. 
264 1 |a Montreal ;  |a Kingston ;  |a London ;  |a Chicago :  |b McGill-Queen's University Press,  |c [2022] 
300 |a 1 online resource (292 pages) :  |b illustrations 
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490 1 |a Rethinking Canada in the world ;  |v 13 
504 |a Includes bibliographical references and index. 
505 0 |a Diplomatic Encounter -- Musically Imagined Communities -- An Exchange of Notes -- Familiar Folks -- Vista Points -- The Art of Counterpoint -- Circular (Re)Transmissions. 
520 |a "It is a little-known fact that the first cultural agreement Canada signed was with Brazil in 1944. The two countries' rapprochement launched a flurry of activity connecting Montreal to Rio de Janeiro amid the turbulence of war and its aftermath. Why Brazil? And what could songs and paintings achieve that traditional diplomacy could not? Distant Stage examines the neglected histories of Canada-Brazil relations and the role played by culture in Canada's pursuit of an international identity. The efforts of French-Canadian artists, intellectuals, and diplomats are at the heart of both. Eric Fillion demonstrates how music and the visual arts gave state and non-state actors new connections to the idea of nation, which in turn informed their sense of place in the world. Tracing the origins of Canadian cultural diplomacy to South America, the book underscores the significance of race and religion in the country's international history, showing how Brazil served as a distant stage where Canadian identity politics and aspirations could play out. Both a timely invitation to think about cultural diplomacy as a critical practice and a reflection on the interplay between internationalism and nationalism within the context of Canada's contested federalism, Distant Stage draws attention to the ambiguous yet essential roles played by artists in international and intercultural relations."--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on January 18, 2023). 
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650 0 |a Cultural diplomacy  |z Canada  |x History  |y 20th century. 
650 0 |a Cultural diplomacy  |z Brazil  |x History  |y 20th century. 
651 0 |a Canada  |x Foreign relations  |z Brazil. 
651 0 |a Brazil  |x Foreign relations  |z Canada. 
651 0 |a Canada  |x Cultural policy. 
651 0 |a Brazil  |x Cultural policy. 
650 7 |a HISTORY / Canada / General  |2 bisacsh 
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650 7 |a Cultural policy.  |2 fast  |0 (OCoLC)fst00885007 
650 7 |a Diplomatic relations.  |2 fast  |0 (OCoLC)fst01907412 
651 7 |a Brazil.  |2 fast  |0 (OCoLC)fst01206830 
651 7 |a Canada.  |2 fast  |0 (OCoLC)fst01204310 
648 7 |a 1900-1999  |2 fast 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Fillion, Eric.  |t Distant stage.  |d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2022  |z 022801414X  |z 9780228014140  |w (OCoLC)1309959845 
830 0 |a Rethinking Canada in the world ;  |v 13. 
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