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Money and materiality in the golden age of graphic satire /

"This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between these two types of engrave...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lahikainen, Amanda (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newark : University of Delaware Press, [2022]
Colección:University of Delaware Press studies in 17th- and 18th- century art and culture.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Lahikainen, Amanda,  |e author. 
245 1 0 |a Money and materiality in the golden age of graphic satire /  |c Amanda Lahikainen. 
264 1 |a Newark :  |b University of Delaware Press,  |c [2022] 
300 |a 1 online resource (xv, 224 pages) :  |b illustrations (some color) 
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490 1 |a Studies in seventeenth- and eighteenth-century art and culture 
504 |a Includes bibliographical references and index. 
505 0 |a The inflation of Georgian graphic satire -- Money, Fact, and value -- Crisis -- Subjectivity and trust -- Imitation and immateriality -- Materiality -- The deflation of Georgian graphic satire -- Beyond Britain. 
520 |a "This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between these two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking along, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire altogether"--  |c Provided by publisher 
588 0 |a Online resource; title from digital title page (viewed on August 03, 2022). 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a English wit and humor, Pictorial. 
651 0 |a Great Britain  |x Social conditions  |v Humor. 
651 0 |a Great Britain  |x Social conditions  |y 18th century. 
650 0 |a Paper money design  |z Great Britain  |x History. 
650 0 |a Bank notes in art. 
650 6 |a Humour par l'image anglais. 
651 6 |a Grande-Bretagne  |x Conditions sociales  |v Humour. 
651 6 |a Grande-Bretagne  |x Conditions sociales  |y 18e siècle. 
650 6 |a Art monétaire  |z Grande-Bretagne  |x Histoire. 
650 7 |a ART / General  |2 bisacsh 
650 7 |a Bank notes in art  |2 fast 
650 7 |a English wit and humor, Pictorial  |2 fast 
650 7 |a Paper money design  |2 fast 
650 7 |a Social conditions  |2 fast 
651 7 |a Great Britain  |2 fast 
648 7 |a 1700-1799  |2 fast 
655 7 |a History  |2 fast 
655 7 |a Humor  |2 fast 
776 0 8 |i Print version:  |a Lahikainen, Amanda.  |t Money and Materiality in the Golden Age of Graphic Satire.  |d New Brunswick : University of Delaware Press, ©2022  |z 9781644532690 
830 0 |a University of Delaware Press studies in 17th- and 18th- century art and culture. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2v55gjr  |z Texto completo 
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