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Imaging the scenes of war : aesthetic crossovers in American visual culture /
"In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artists to find new ways of representing it...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript,
[2022]
|
| Colección: | American studies (Transcript (Firm)) ;
Bd. 38. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Decker, Christof, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Imaging the scenes of war : |b aesthetic crossovers in American visual culture / |c Christof Decker. |
| 264 | 1 | |a Bielefeld : |b Transcript, |c [2022] | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (157 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a American culture studies, |x 2747-4380 ; |v volume 38 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Introduction -- |t Trauma narratives, mixed media, and the meditation on the invisible -- |t Imaging Axis terror : War propaganda and the 1943 The Nature of the Enemy exhibition at Rockefeller Center -- |t In search of a common vision : Ben Shahn, photography, and The Family of Man exhibition in 1955 -- |t Transnational romance : Love and politics in the cinema of the 1930s and 1940s -- |t Poetry and film, film as poetry : Notes on a history of creative interactions -- |t Screening Holocaust : American television and the discourse on "victim cultures" in West Germany. |
| 520 | |a "In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artists to find new ways of representing its consequences. Dealing with trauma and war crimes led to the emergence of complex aesthetic forms and media crossovers. Decker shows that the 1940s were a pivotal period for the creation of horrific yet also innovative representations that boosted American visual modernism and set the stage for debates about the ethics of visual culture in the post-9/11 era."-- |c Provided by publisher. | ||
| 545 | 0 | |a Christof Decker is a professor of American studies at Ludwig-Maximilians-Universität München. He received his Ph.D. from Freie Universität zu Berlin. | |
| 546 | |a In English. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a World War, 1939-1945 |v Art and the war. | |
| 650 | 0 | |a World War, 1939-1945 |x Motion pictures and the war. | |
| 650 | 0 | |a Aesthetics, Modern |y 20th century. | |
| 650 | 6 | |a Guerre mondiale, 1939-1945 |v Art et guerre. | |
| 650 | 6 | |a Guerre mondiale, 1939-1945 |x Cinéma et guerre. | |
| 650 | 6 | |a Esthétique |y 20e siècle. | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies. |2 bisacsh | |
| 650 | 7 | |a Aesthetics, Modern |2 fast | |
| 650 | 7 | |a War and motion pictures |2 fast | |
| 647 | 7 | |a World War |d (1939-1945) |2 fast |0 (OCoLC)fst01180924 | |
| 648 | 7 | |a 1939-2099 |2 fast | |
| 655 | 7 | |a Art |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Decker, Christof. |t Imaging the scenes of war. |d Bielefeld : Transcript, [2022] |z 9783837662023 |w (OCoLC)1334366584 |
| 830 | 0 | |a American studies (Transcript (Firm)) ; |v Bd. 38. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371c6v3 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL7024795 | ||
| 938 | |a De Gruyter |b DEGR |n 9783839462027 | ||
| 938 | |a EBSCOhost |b EBSC |n 3360594 | ||
| 994 | |a 92 |b IZTAP | ||