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A decolonizing ear : documentary film disrupts the archive /

"The recording of Indigenous voices is one of the most well-known methods of colonial ethnography. In A Decolonizing Ear, Olivia Landry offers a skeptical account of listening as a highly mediated and extractive act, influenced by technology and ideology. Returning to early ethnographic practic...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Landry, Olivia (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto ; Buffalo : University of Toronto Press, [2023]
Temas:
Acceso en línea:Texto completo

MARC

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020 |z 9781487544850  |q hardcover 
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100 1 |a Landry, Olivia,  |e author. 
245 1 2 |a A decolonizing ear :  |b documentary film disrupts the archive /  |c Olivia Landry. 
264 1 |a Toronto ;  |a Buffalo :  |b University of Toronto Press,  |c [2023] 
300 |a 1 online resource (xi, 218 pages) :  |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a "The recording of Indigenous voices is one of the most well-known methods of colonial ethnography. In A Decolonizing Ear, Olivia Landry offers a skeptical account of listening as a highly mediated and extractive act, influenced by technology and ideology. Returning to early ethnographic practices of voice recording and archiving at the turn of the twentieth century, with a particular focus on the German paradigm, she reveals the entanglement of listening in the logic of Euro-American empire and the ways in which contemporary films can destabilize the history of colonial sound reproduction. Landry provides close readings of several disparate documentary films from the late 1990s and the early 2000s. The book pays attention to technology and knowledge production to examine how these films employ recordings plucked from different colonial sound archives and disrupt their purposes. Drawing on film and documentary studies, sound studies, German studies, archival studies, postcolonial studies, and media history, A Decolonizing Ear develops a method of decolonizing listening from the insights provided by the films themselves."--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on December 15, 2022). 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Sound recordings in ethnology. 
650 0 |a Visual anthropology. 
650 0 |a Sound archives  |x Social aspects. 
650 0 |a Documentary films  |x Social aspects. 
650 0 |a Archives  |x Social aspects. 
650 0 |a Decolonization. 
650 6 |a Enregistrements sonores en ethnologie. 
650 6 |a Anthropologie visuelle. 
650 6 |a Archives sonores  |x Aspect social. 
650 6 |a Documentaires  |x Aspect social. 
650 6 |a Archives  |x Aspect social. 
650 6 |a Décolonisation. 
650 7 |a PERFORMING ARTS / Film & Video / General  |2 bisacsh 
650 7 |a Archives  |x Social aspects  |2 fast 
650 7 |a Decolonization  |2 fast 
650 7 |a Documentary films  |x Social aspects  |2 fast 
650 7 |a Sound recordings in ethnology  |2 fast 
650 7 |a Visual anthropology  |2 fast 
776 0 8 |i Print version:  |a Landry, Olivia.  |t Decolonizing ear.  |d Toronto ; Buffalo ; London : University of Toronto Press, 2023  |z 1487544855  |z 9781487544850  |w (OCoLC)1304813739 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.3138/j.ctv31nzk9x  |z Texto completo 
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994 |a 92  |b IZTAP