Allegory and the poetic self : first-person narration in late medieval literature /
"This book examines the rise of an influential new family of poetry in the late Middle Ages, analyzing why the allegorical first-person romance embedded itself in the vernacular literature of Western Europe and remained popular for more than two centuries"--
Clasificación: | Libro Electrónico |
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Otros Autores: | , , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Gainesville :
University Press of Florida,
[2022]
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: Allegory and the Poetic Self: First Person Narration in Late Medieval Literature / Katharina Philipowski and Julia Rüthemann
- Part I. Authorship and Authorial Identity
- Once Again the Authorship of the Roman de la Rose / David Hult
- From the Narrating to the Accused "I" in Machaut's Jugement poems / Jacqueline Cerquiglini-Toulet
- Ren' d'Anjou and His Textual Models / Kevin Brownlee
- Polymorphic Self-Narration in Le livre du Chevalier errant by Thomas III of Saluzzo / Rober Fajen
- Part II. Focusing the Narrator
- I-Narration and Allegorical Dialogue in Machaut's Dit dou Vergier and Prologue / R. Barton Palmer
- First-Person Allegory and the Concept of the Unreliable Narrator / Sonja Glauch
- The Heart in the Minnelehre, the Roman de la Poire and the Livre du C'ur d'Amour pris / Julia Rüthemann
- Boundaries of Form and Subject in Fifteenth-Century dits / Helen Swift
- Part III. Love and Desire between Tradition and Subjectivity
- Dueling Models of Desire: Ovid and Boethius in the Rose and the Dit Amoureux / Sylvia Huot
- Boccaccio's Amorosa Visione: The Search for Wholeness in the Spirit of Erotic Pleasure / Friedrich Wolfzettel
- Frustrating Autobiography: The Examples of El Libro de buen amor and Cárcel de amor
- The Semantics of Love and Narrative Ground in Guiraut Riquier's Libre / Susanne A. Friede
- Glossing the "Text" of Love: First-Person Narration and the Performative Self in Hadamar von Laber's Jagd / Christian Schneider
- Postscript / R. Barton Palmer.