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|a Music and time :
|b psychology, philosophy, practice/
|c edited by Michelle Phillips and Matthew Sergeant.
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|a Woodbridge :
|b Boydell Press,
|c 2022.
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|c ©2022
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|a 1 online resource (xi, 206 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references and index.
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|a List of figures -- Contributors -- Introduction -- Part I. Experiences -- 1. Music listening and the perception of time: the LEMI model -- 2. The remembrance of things to be: an approach to memory, repetition, and cyclical structures -- 3. An overview of the psychology of time perception -- 4. The perceptual present and the philosophical puzzle of musical experience -- Part II. Enactments -- 5. Ensemble timing in string quartets -- 6. Midway ambiguities: disorientation and interpretation in the performance of long-duration music -- 7. Live coding as a theatre of agency and a factory of time -- Part III. Meanings -- 8. Comparing temporal fictions in tonality and triadic post-tonalit -- 9. 'Nothing really changes': material processes in and as time in hearmleoþ-gieddunga -- 10. Music, time, and society -- Conclusion: multiplicity, fluidity, fragility -- Bibliography -- Index.
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|a How does music manifest through time and, simultaneously, how does time manifest through music?.
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|a Description based on online resource; title from PDF title page (JSTOR, viewed September 9, 2023).
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|a JSTOR
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|a Music
|x Psychological aspects.
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|a Music
|x Philosophy and aesthetics.
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|a Time.
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|a Musique
|x Aspect psychologique.
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|a Musique
|x Philosophie et esthétique.
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|a Temps.
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|a time.
|2 aat
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|a Music
|x Philosophy and aesthetics
|2 fast
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|a Music
|x Psychological aspects
|2 fast
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|a Time
|2 fast
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1 |
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|a Phillips, Michelle
|q (Michelle Elizabeth),
|e editor.
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1 |
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|a Sergeant, Matthew,
|e editor.
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776 |
0 |
8 |
|i Print version:
|t Music and time.
|d Suffolk, UK : The Boydell Press, 2022
|z 1783277084
|w (OCoLC)1288196534
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv25m8dcb
|z Texto completo
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