Words made flesh : formations of the postsecular in British Romanticism /

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"Words Made Flesh demonstrates how the Romantic poets Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley and the novelist Jane Austen affect, mediate, and ultimately alter our sense of self and embodiment in ways that not only feel profound but also have lasting effects on readers�...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dempsey, Sean, 1974- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville : University of Virginia Press, 2022.
Colección:Studies in Religion and Culture.
Temas:
1700-1799
Self in literature.
Civilization, Secular, in literature.
English literature > 18th century > History and criticism.
Romanticism > Great Britain.
Moi (Psychologie) dans la littérature.
Littérature anglaise > 18e siècle > Histoire et critique.
Romantisme > Grande-Bretagne.
Civilisation laïque dans la littérature.
RELIGION / Philosophy
Civilization, Secular, in literature
English literature
Intellectual life
Romanticism
Self in literature
Great Britain > Intellectual life > 18th century.
Grande-Bretagne > Vie intellectuelle > 18e siècle.
Great Britain
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover Page
  • Title Page
  • Copyright Page
  • Contents
  • Abbreviations
  • Introduction: Postsecular Formations
  • Part I. Approaches to the Postsecular
  • 1. Theorizing the Postsecular
  • Part II. Mediating the Postsecular
  • 2. Poetic Faith
  • 3. Coleridge's Parable of Modernity
  • 4. "To See as a God Sees": Keats and Cinematic Subjectivity
  • Part III. Anthropology of the Postsecular
  • 5. "Awful Doubt": Shelley's Tragic Skepticism
  • 6. "Open-Hearted": Persuasion and the Cultivation of Good Humor
  • Coda: Postsecular Romanticism
  • Acknowledgments
  • Notes
  • Bibliography
  • Index

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