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220406s2022 vau ob 001 0 eng |
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|a 2022010761
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|a DLC
|b eng
|e rda
|c DLC
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|d OCLCF
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|d JSTOR
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|d P@U
|d EBLCP
|d UKAHL
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|a 1312656490
|a 1357014825
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|a 0813948134
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|a 9780813948133
|q (electronic bk.)
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|z 9780813948119
|q (hardcover)
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|z 9780813948126
|q (paperback)
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|a AU@
|b 000071558444
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|a (OCoLC)1312652368
|z (OCoLC)1312656490
|z (OCoLC)1357014825
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|a 22573/ctv3581zbm
|b JSTOR
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|a pcc
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|a e-uk---
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|a PR448.S35
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|a REL
|x 051000
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|a LIT
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|a 820.9/353
|2 23/eng/20220406
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|a UAMI
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|a Dempsey, Sean,
|d 1974-
|e author.
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|a Words made flesh :
|b formations of the postsecular in British Romanticism /
|c Sean Dempsey.
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|a 2208
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|a Charlottesville :
|b University of Virginia Press,
|c 2022.
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|a 1 online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Studies in Religion and Culture
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|a Includes bibliographical references and index.
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|a "Words Made Flesh demonstrates how the Romantic poets Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley and the novelist Jane Austen affect, mediate, and ultimately alter our sense of self and embodiment in ways that not only feel profound but also have lasting effects on readers' affective, political, and spiritual lives. The author draws in particular on secular and postsecular studies, affect theory, and media studies"--
|c Provided by publisher.
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|a Description based on print version record and CIP data provided by publisher; resource not viewed.
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|a Cover Page -- Title Page -- Copyright Page -- Contents -- Abbreviations -- Introduction: Postsecular Formations -- Part I. Approaches to the Postsecular -- 1. Theorizing the Postsecular -- Part II. Mediating the Postsecular -- 2. Poetic Faith -- 3. Coleridge's Parable of Modernity -- 4. "To See as a God Sees": Keats and Cinematic Subjectivity -- Part III. Anthropology of the Postsecular -- 5. "Awful Doubt": Shelley's Tragic Skepticism -- 6. "Open-Hearted": Persuasion and the Cultivation of Good Humor -- Coda: Postsecular Romanticism -- Acknowledgments -- Notes -- Bibliography -- Index
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Self in literature.
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|a Civilization, Secular, in literature.
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|a English literature
|y 18th century
|x History and criticism.
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|a Romanticism
|z Great Britain.
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|a Great Britain
|x Intellectual life
|y 18th century.
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|a Moi (Psychologie) dans la littérature.
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|a Littérature anglaise
|y 18e siècle
|x Histoire et critique.
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|a Romantisme
|z Grande-Bretagne.
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|a Grande-Bretagne
|x Vie intellectuelle
|y 18e siècle.
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|a Civilisation laïque dans la littérature.
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|a RELIGION / Philosophy
|2 bisacsh
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|a Civilization, Secular, in literature
|2 fast
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|a English literature
|2 fast
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|a Intellectual life
|2 fast
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|a Romanticism
|2 fast
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|a Self in literature
|2 fast
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|a Great Britain
|2 fast
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|a 1700-1799
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Dempsey, Sean, 1974-
|t Words made flesh
|d Charlottesville : University of Virginia Press, 2022
|z 9780813948119
|w (DLC) 2022010760
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830 |
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0 |
|a Studies in Religion and Culture.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv3596wtj
|z Texto completo
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938 |
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|a Project MUSE
|b MUSE
|n musev2_109876
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938 |
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|a YBP Library Services
|b YANK
|n 304085075
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|a EBSCOhost
|b EBSC
|n 3333960
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|a Askews and Holts Library Services
|b ASKH
|n AH40019150
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7042747
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994 |
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|a 92
|b IZTAP
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