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Scripts of blackness : early modern performance culture and the making of race /

Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ndiaye, Noémie (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, [2022]
Colección:Raceb4race.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Ndiaye, Noémie,  |e author. 
245 1 0 |a Scripts of blackness :  |b early modern performance culture and the making of race /  |c Noémie Ndiaye. 
264 1 |a Philadelphia :  |b University of Pennsylvania Press,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (358 pages) :  |b illustrations (black and white, and color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a RaceB4Race: Critical Race Studies of the Premodern 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: Performative blackness in early modern Europe -- A brief history of baroque black-up: cosmetic blackness and religion -- A brief herstory of baroque black-up: cosmetic blackness, gender, and sexuality -- Blackspeak: acoustic blackness and the accents of race --Black moves: race, dance, and power -- Post/script: Ecologies of racial performance. 
520 |a Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Race in the theater  |z Europe, Western  |x History  |y 16th century. 
650 0 |a Race in the theater  |z Europe, Western  |x History  |y 17th century. 
650 0 |a Impersonation  |x History  |y 16th century. 
650 0 |a Impersonation  |x History  |y 17th century. 
650 0 |a Blackface  |z Europe, Western  |x History  |y 16th century. 
650 0 |a Blackface  |z Europe, Western  |x History  |y 17th century. 
650 0 |a Theater  |z Europe, Western  |x History  |y 16th century. 
650 0 |a Theater  |z Europe, Western  |x History  |y 17th century. 
650 0 |a Drama  |y 15th and 16th centuries  |x History and criticism. 
650 0 |a Drama  |y 17th century  |x History and criticism. 
650 0 |a Drama  |y 18th century  |x History and criticism. 
650 0 |a Black people in literature. 
650 6 |a Théâtre (Genre littéraire)  |y 15e et 16e siècles  |x Histoire et critique. 
650 6 |a Théâtre (Genre littéraire)  |y 17e siècle  |x Histoire et critique. 
650 6 |a Théâtre (Genre littéraire)  |y 18e siècle  |x Histoire et critique. 
650 6 |a Personnes noires dans la littérature. 
650 6 |a Race au théâtre  |z Europe de l'Ouest  |x Histoire  |y 16e siècle. 
650 6 |a Race au théâtre  |z Europe de l'Ouest  |x Histoire  |y 17e siècle. 
650 6 |a Imitation  |x Histoire  |y 16e siècle. 
650 6 |a Imitation  |x Histoire  |y 17e siècle. 
650 6 |a Blackface  |z Europe de l'Ouest  |x Histoire  |y 16e siècle. 
650 6 |a Blackface  |z Europe de l'Ouest  |x Histoire  |y 17e siècle. 
650 6 |a Théâtre  |z Europe de l'Ouest  |x Histoire  |y 16e siècle. 
650 6 |a Théâtre  |z Europe de l'Ouest  |x Histoire  |y 17e siècle. 
650 7 |a SOCIAL SCIENCE / Black Studies (Global).  |2 bisacsh 
650 7 |a Blackface  |2 fast 
650 7 |a Impersonation  |2 fast 
650 7 |a Race in the theater  |2 fast 
650 7 |a Theater  |2 fast 
651 7 |a Western Europe  |2 fast 
650 7 |a Black people in literature  |2 fast 
650 7 |a Drama  |2 fast 
648 7 |a 1500-1699  |2 fast 
648 7 |a 1400-1799  |2 fast 
655 7 |a History  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Ndiaye, Noémie.  |t Scripts of blackness.  |d Philadelphia : University of Pennsylvania Press, [2022]  |z 9781512822632  |w (DLC) 2022000555  |w (OCoLC)1338675953 
830 0 |a Raceb4race. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2gz3zr2  |z Texto completo 
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