|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1311076712 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr |n||||||||| |
008 |
220415t20222022nyua ob 001 0 eng d |
040 |
|
|
|a YDX
|b eng
|e rda
|e pn
|c YDX
|d OCLCO
|d JSTOR
|d OCLCF
|d K6U
|d N$T
|d UKAHL
|d OCLCQ
|d WAU
|
019 |
|
|
|a 1311156750
|a 1311241102
|a 1311269810
|a 1311357269
|
020 |
|
|
|a 9781941792339
|q electronic book
|
020 |
|
|
|a 1941792332
|q electronic book
|
020 |
|
|
|z 9781941792322
|q hardcover
|
020 |
|
|
|z 1941792324
|q hardcover
|
029 |
1 |
|
|a AU@
|b 000072006824
|
035 |
|
|
|a (OCoLC)1311076712
|z (OCoLC)1311156750
|z (OCoLC)1311241102
|z (OCoLC)1311269810
|z (OCoLC)1311357269
|
037 |
|
|
|a 22573/ctv2jnjwmw
|b JSTOR
|
050 |
|
4 |
|a AM141
|
082 |
0 |
4 |
|a 069.53
|2 23/eng/20220516
|
049 |
|
|
|a UAMI
|
245 |
0 |
0 |
|a Conserving active matter /
|c edited by Peter N. Miller and Soon Kai Poh.
|
264 |
|
1 |
|a New York City :
|b Bard Graduate Center,
|c [2022]
|
264 |
|
2 |
|a Chicago :
|b University of Chicago Press
|
264 |
|
4 |
|c ©2022
|
300 |
|
|
|a 1 online resource (xxii, 401 pages) :
|b illustrations (chiefly color).
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
336 |
|
|
|a still image
|b sti
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Bard Graduate Center Cultural histories of the material world
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
0 |
|t Preface : Report on a research project --
|t Introduction : Conserving active matter and the conservator /
|r Soon Kai Poh --
|t Introduction : Conserving active matter and the historian /
|r Peter N. Miller --
|g 1.
|t Philosophy.
|g One.
|t Introduction : Active matter : some initial philosophical considerations /
|r Ivan Gaskell and A. W. Eaton.
|g Two.
|t The expressive import of degradation and decay in contemporary art /
|r Sherri Irvin.
|g Three.
|t The look of age : appearance and reality /
|r Carolyn Korsmeyer.
|g Four.
|t The aesthetics of repair /
|r Yuriko Saito.
|g Five.
|t Death and entanglement : some thoughts about life, love, and the aims of art conservation /
|r Alva Noë --
|g 2.
|t History.
|g Six.
|t Introduction. Conserving active matter and the art historian's craft /
|r Ittai Weinryb.
|g Seven.
|t Active matter in Presocratic thought? /
|r André Laks.
|g Eight.
|t Active matter : a philosophical aberration or a very old belief? /
|r Guido Giglioni.
|g Nine.
|t Oak and oil, chalk and flint : rood screens and churches /
|r Spike Bucklow.
|g Ten.
|t Bread and wine, body and blood /
|r Lee Palmer Wandel --
|g 3.
|t Indigenous ontologies.
|g Eleven.
|t Introduction. For the lives of things : indigenous ontologies of active matter /
|r Aaron Glass.
|g Twelve.
|t Living knowledge in cultural collections /
|r Sven Haakanson.
|g Thirteen.
|t The orator's dilemma : wampum as material, media, medicine, and memory /
|r Jamie Jacobs.
|g Fourteen.
|t Always becoming better stewards : caring for collections at the National Museum of the American Indian /
|r Kelly McHugh.
|g Fifteen.
|t Hoki Mauri : bring back the life essence /
|r Rose Evans --
|g 4.
|t Materials.
|g Sixteen.
|t Introduction. Developing informed and sustainable responses to the alteration of cultural artifacts : materials engineering meets material culture /
|r Jennifer L. Mass.
|g Seventeen.
|t Contextualizing the installation of Tania Bruguera's Untitled (Havana 2000) /
|r Chris McGlinchey.
|g Eighteen.
|t Moving beyond the binaries : exploring the active matter of metal soaps in paint /
|r Francesca Casadio.
|g Nineteen.
|t Characterizing the immaterial : noninvasive imaging and analysis of Stephen Benton's Engine no. 9 /
|r Marc Walton, Pengxiao Hao, Marc Vermeulen, Florian Willomitzer, and Oliver Cossairt.
|g Twenty.
|t Making Meiji red : semiotic activity in the colors of Japanese woodblock prints, 1864-1900 /
|r Marco Leona and Henry D. Smith II --
|t Appendix : Events of the research project Conserving Active Matter.
|
545 |
0 |
|
|a Peter N. Miller is dean and professor at Bard Graduate Center. Soon Kai Poh is a conservator and Andrew W. Mellon Foundation Postgraduate Fellow at Bard Graduate Center.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Archival materials
|x Conservation and restoration.
|
650 |
|
0 |
|a Museum conservation methods.
|
650 |
|
0 |
|a Art, Modern
|y 21st century
|x Conservation and restoration.
|
650 |
|
0 |
|a Digital preservation.
|
650 |
|
7 |
|a Archival materials
|x Conservation and restoration.
|2 fast
|0 (OCoLC)fst00813994
|
650 |
|
7 |
|a Art, Modern
|x Conservation and restoration.
|2 fast
|0 (OCoLC)fst00816627
|
650 |
|
7 |
|a Digital preservation.
|2 fast
|0 (OCoLC)fst00893721
|
650 |
|
7 |
|a Museum conservation methods.
|2 fast
|0 (OCoLC)fst01030068
|
648 |
|
7 |
|a 2000-2099
|2 fast
|
700 |
1 |
|
|a Miller, Peter N.,
|d 1964-
|e editor.
|
700 |
1 |
|
|a Poh, Soon Kai,
|e editor.
|
710 |
2 |
|
|a Bard Graduate Center: Decorative Arts, Design History, Material Culture,
|e publisher.
|
776 |
0 |
8 |
|i Print version:
|t Conserving active matter.
|d New York City : Bard Graduate Center, [2022]
|z 9781941792322
|w (DLC) 2021951108
|w (OCoLC)1276933371
|
830 |
|
0 |
|a Bard Graduate Center cultural histories of the material world.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2jsh06b
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH40319232
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 17912206
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 3275806
|
994 |
|
|
|a 92
|b IZTAP
|