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Engraving accuracy in early modern England : visual communication and the Royal Society /

The book traces major concepts including: the creation of the visual effects of accuracy through careful action and training; the development of visual judgment and connoisseurship; the role of a network in the production of knowledge; balancing readers' expectations with representational conve...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Doherty, Meghan C. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2022]
Colección:Scientiae studies
Temas:
Acceso en línea:Texto completo

MARC

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050 4 |a NX543  |b .D64 2022 
082 0 4 |a 700.941  |2 23 
049 |a UAMI 
100 1 |a Doherty, Meghan C.,  |e author. 
245 1 0 |a Engraving accuracy in early modern England :  |b visual communication and the Royal Society /  |c Meghan C. Doherty. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (243 pages) :  |b illustrations (some color). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Scientiae studies 
504 |a Includes bibliographical references and index. 
520 8 |a The book traces major concepts including: the creation of the visual effects of accuracy through careful action and training; the development of visual judgment and connoisseurship; the role of a network in the production of knowledge; balancing readers' expectations with representational conventions; and the effects of acts of collecting on the creation and circulation of knowledge. On the one hand, this study uncovers that approaches to knowledge production were different in the seventeenth century, as compared with in the twenty-first century. On the other, it reveals how the early modern struggle to sort through an overwhelming quantity of visual information - brought on by major changes in image production and circulation - resonates with our own. 
588 |a Description based on online resource; title from digital title page (viewed on May 05, 2022). 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Acknowledgements --  |t Introduction --  |t 1. "Innocent Witch-craft of Lights": Developing Visual Judgment through Printed Books --  |t 2. "A New Visible World": Developing a Visual Vocabulary for the Microscopic --  |t 3. "Nearly Resembling the Live Birds": Collecting and Collating for the Reformation of Natural History --  |t 4. "These Rude Collections": Accumulating Observations and Experiments --  |t Conclusion --  |t Bibliography --  |t Index 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Arts, English  |y 17th century. 
650 0 |a Engraving, English  |y 17th century. 
650 6 |a Arts anglais  |y 17e siècle. 
650 6 |a Gravure anglaise  |y 17e siècle. 
650 7 |a History of art and design styles: c 1600 to c 1800.  |2 bicssc 
650 7 |a Early modern history: c 1450/1500 to c 1700.  |2 bicssc 
650 7 |a ART / Techniques / Drawing.  |2 bisacsh 
650 7 |a Arts, English.  |2 fast  |0 (OCoLC)fst00818000 
650 7 |a Engraving, English.  |2 fast  |0 (OCoLC)fst00912480 
650 7 |a Illustration.  |2 thema 
650 7 |a History of scholarship (principally of social sciences and humanities)  |2 thema 
650 7 |a History of science.  |2 thema 
648 7 |a 1600-1699  |2 fast 
776 0 8 |i Print version: Doherty, Meghan.  |t Engraving accuracy in early modern England.  |d [S.l.] : Amstrdam University Press, 2022  |z 9463721061  |w (OCoLC)1289987670 
830 0 |a Scientiae studies 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2g5916x  |z Texto completo 
938 |a Amsterdam University Press  |b AUPA  |n 9789048554270 
938 |a De Gruyter  |b DEGR  |n 9789048554270 
938 |a Project MUSE  |b MUSE  |n musev2_100886 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL6944578 
938 |a EBSCOhost  |b EBSC  |n 3276108 
994 |a 92  |b IZTAP