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Playing Indian.

The Boston Tea Party, the Order of Red Men, Camp Fire Girls, Boy Scouts, Grateful Dead concerts: just a few examples of white Americans' tendency to appropriate Indian dress and act out Indian roles";A valuable contribution to Native American studies.";--Kirkus Reviews This provocativ...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Deloria, Philip J.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Haven : Yale University Press, [2022]
Colección:Yale historical publications.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Preface -- List of Illustrations -- Introduction American Indians, American Identities -- One Patriotic Indians and Identities of Revolution -- Two Fraternal Indians and Republican Identities -- Three Literary Indians and Ethnographic Objects -- Four Natural Indians and Identities of Modernity -- Five Hobby Indians, Authenticity, and Race in Cold War America -- Six Counterculture Indians and the New Age -- Conclusion The Grateful Dead Indians -- Acknowledgments -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I 
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520 |a The Boston Tea Party, the Order of Red Men, Camp Fire Girls, Boy Scouts, Grateful Dead concerts: just a few examples of white Americans' tendency to appropriate Indian dress and act out Indian roles";A valuable contribution to Native American studies.";--Kirkus Reviews This provocative book explores how white Americans have used their ideas about Native Americans to shape national identity in different eras--and how Indian people have reacted to these imitations of their native dress, language, and ritual. At the Boston Tea Party, colonial rebels played Indian in order to claim an aboriginal American identity. In the nineteenth century, Indian fraternal orders allowed men to rethink the idea of revolution, consolidate national power, and write nationalist literary epics. By the twentieth century, playing Indian helped nervous city dwellers deal with modernist concerns about nature, authenticity, Cold War anxiety, and various forms of relativism. Deloria points out, however, that throughout American history the creative uses of Indianness have been interwoven with conquest and dispossession of the Indians. Indian play has thus been fraught with ambivalence--for white Americans who idealized and villainized the Indian, and for Indians who were both humiliated and empowered by these cultural exercises. Deloria suggests that imagining Indians has helped generations of white Americans define, mask, and evade paradoxes stemming from simultaneous construction and destruction of these native peoples. In the process, Americans have created powerful identities that have never been fully secure. 
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