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Storytellers of Art Histories /
A collection of first-person narratives from an international group of art historians, curators, artists and archivists. Fills a significant gap in the literature by demonstrating how these practitioners' work comes together to teach and write art history, and the relationship between curatoria...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect Books Ltd,
2022.
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| Colección: | Living and sustaining a creative life.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Half Title
- Living and Sustaining a Creative Life
- Title Page
- Copyright Page
- Contents
- Preface
- Introduction: The Story Behind Storytellers
- Notes
- Nana Adusei-Poku
- Michelle Antoinette
- Regine Basha
- Abby Chen
- Notes
- Delinda Collier
- Notes
- Parul Dave-Mukherji
- Notes
- Jane Chin Davidson
- Notes
- Allan Desouza
- Notes
- Claire Farago and Donald Preziosi
- Collaboration
- Donald Preziosi
- Claire Farago
- Josh T Franco
- Notes
- Chitra Ganesh
- Figuration and the erotic
- Friendship as life support
- Note
- David J. Getsy
- Notes
- Roselee Goldberg
- South Africa
- Art history
- London
- The Royal College of Art Gallery
- New York
- The Kitchen
- Teaching
- First commission
- Performa
- Amy Hamlin
- Beáta Hock
- Notes
- Claire Hsu
- Note
- Alice Ming Wai Jim
- Amelia Jones
- Part I: Formation
- Part II: Creativity is never free: Thinking creatively in the academy
- Part III: Finding creative agency in the face of clichés
- Notes
- Ying Kwok
- Miranda Lash
- Việt Lê and Waseem Kazzah
- Collaboration
- The art of forgetting
- Text
- Paweł Leszkowicz
- Notes
- Lucy R. Lippard
- Vignettes along the path
- Note
- Margo Machida
- Negotiating the academy
- Art and dialogic exchanges
- Amalia Mesa-Bains
- #1 Baby art and the mysterious pencil
- #2 Dad and the easel
- #3 High hippy days and self-revelation
- #4 Teacher Corps and political life
- #5 Chicano Movement and the Galeria de la Raza
- #6 Days of the dead
- #7 Frida arrives
- #8 Finding a new form: Expanding sacred spaces
- #8 Not Again, Chicano Art: Resistance and Affirmation (CARA), 1990 National Endowment for the Humanities
- #9 Caribbean Cultural Center/African Diaspora Institute: Cultural Diversity through Cultural Grounding Series, 1989, 1991, 1993
- #10 Learning to live with the studio after the MacArthur (or get out of the garage)
- #11 Surviving to make art-left-handed drawings
- Postcard epilogue
- Notes
- Marsha Meskimmon
- Notes
- Combiz Moussavi-Aghdam
- Derek Conrad Murray
- Notes
- Samuel Peck
- Notes
- Raqs Media Collective
- Shahzia Sikander
- Promiscuous intimacies
- Notes
- Lowery Stokes Sims
- Jaune Quick-To-See Smith
- Confederated Salish and Kootenai Nation MT
- Przemysław Strożek
- Gloria Sutton
- Public = civic
- Marginality as method
- Note
- Acknowledgments