Cargando…

Storytellers of Art Histories /

A collection of first-person narratives from an international group of art historians, curators, artists and archivists. Fills a significant gap in the literature by demonstrating how these practitioners' work comes together to teach and write art history, and the relationship between curatoria...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Siddiqui, Yasmeen (Autor), Patel, Alpesh Kantilal (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bristol : Intellect Books Ltd, 2022.
Colección:Living and sustaining a creative life.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Mu 4500
001 JSTOR_on1306060385
003 OCoLC
005 20231005004200.0
006 m o d
007 cr cnu---unuuu
008 220326s2022 xx o ||| 0 eng d
040 |a EBLCP  |b eng  |c EBLCP  |d N$T  |d OCLCO  |d OCLCF  |d UND  |d OCLCQ  |d JSTOR 
019 |a 1305839717 
020 |a 178938429X 
020 |a 9781789384291  |q (electronic bk.) 
020 |a 9781789384284  |q electronic bk. 
020 |a 1789384281  |q electronic bk. 
029 1 |a AU@  |b 000073549178 
035 |a (OCoLC)1306060385  |z (OCoLC)1305839717 
037 |a 22573/ctv36wc5qh  |b JSTOR 
050 4 |a N5300 
072 7 |a ART  |x 015000  |2 bisacsh 
072 7 |a ART  |x 015110  |2 bisacsh 
072 7 |a ART  |x 016000  |2 bisacsh 
072 7 |a ART  |x 027000  |2 bisacsh 
072 7 |a ART  |x 059000  |2 bisacsh 
072 7 |a ART  |x 038000  |2 bisacsh 
082 0 4 |a 709  |2 23 
049 |a UAMI 
100 1 |a Siddiqui, Yasmeen,  |e author. 
245 1 0 |a Storytellers of Art Histories /  |c Yasmeen Siddiqui, Alpesh Kantilal Patel. 
264 1 |a Bristol :  |b Intellect Books Ltd,  |c 2022. 
300 |a 1 online resource (196 p.). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Living and Sustaining a Creative Life 
588 |a Description based upon print version of record. 
505 0 |a Intro -- Half Title -- Living and Sustaining a Creative Life -- Title Page -- Copyright Page -- Contents -- Preface -- Introduction: The Story Behind Storytellers -- Notes -- Nana Adusei-Poku -- Michelle Antoinette -- Regine Basha -- Abby Chen -- Notes -- Delinda Collier -- Notes -- Parul Dave-Mukherji -- Notes -- Jane Chin Davidson -- Notes -- Allan Desouza -- Notes -- Claire Farago and Donald Preziosi -- Collaboration -- Donald Preziosi -- Claire Farago -- Josh T Franco -- Notes -- Chitra Ganesh -- Figuration and the erotic -- Friendship as life support -- Note -- David J. Getsy -- Notes 
505 8 |a Roselee Goldberg -- South Africa -- Art history -- London -- The Royal College of Art Gallery -- New York -- The Kitchen -- Teaching -- First commission -- Performa -- Amy Hamlin -- Beáta Hock -- Notes -- Claire Hsu -- Note -- Alice Ming Wai Jim -- Amelia Jones -- Part I: Formation -- Part II: Creativity is never free: Thinking creatively in the academy -- Part III: Finding creative agency in the face of clichés -- Notes -- Ying Kwok -- Miranda Lash -- Việt Lê and Waseem Kazzah -- Collaboration -- The art of forgetting -- Text -- Paweł Leszkowicz -- Notes -- Lucy R. Lippard 
505 8 |a Vignettes along the path -- Note -- Margo Machida -- Negotiating the academy -- Art and dialogic exchanges -- Amalia Mesa-Bains -- #1 Baby art and the mysterious pencil -- #2 Dad and the easel -- #3 High hippy days and self-revelation -- #4 Teacher Corps and political life -- #5 Chicano Movement and the Galeria de la Raza -- #6 Days of the dead -- #7 Frida arrives -- #8 Finding a new form: Expanding sacred spaces -- #8 Not Again, Chicano Art: Resistance and Affirmation (CARA), 1990 National Endowment for the Humanities 
505 8 |a #9 Caribbean Cultural Center/African Diaspora Institute: Cultural Diversity through Cultural Grounding Series, 1989, 1991, 1993 -- #10 Learning to live with the studio after the MacArthur (or get out of the garage) -- #11 Surviving to make art-left-handed drawings -- Postcard epilogue -- Notes -- Marsha Meskimmon -- Notes -- Combiz Moussavi-Aghdam -- Derek Conrad Murray -- Notes -- Samuel Peck -- Notes -- Raqs Media Collective -- Shahzia Sikander -- Promiscuous intimacies -- Notes -- Lowery Stokes Sims -- Jaune Quick-To-See Smith -- Confederated Salish and Kootenai Nation MT 
505 8 |a Przemysław Strożek -- Gloria Sutton -- Public = civic -- Marginality as method -- Note -- Acknowledgments 
520 |a A collection of first-person narratives from an international group of art historians, curators, artists and archivists. Fills a significant gap in the literature by demonstrating how these practitioners' work comes together to teach and write art history, and the relationship between curatorial studies and art history. 5 b/w illus. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Art  |x History  |x Philosophy. 
650 0 |a Art historians. 
650 6 |a Art  |x Histoire  |x Philosophie. 
650 6 |a Historiens d'art. 
650 7 |a art historians.  |2 aat 
650 7 |a Art historians.  |2 fast  |0 (OCoLC)fst00815554 
650 7 |a Art  |x Philosophy.  |2 fast  |0 (OCoLC)fst00815307 
650 7 |a ART / History / General  |2 bisacsh 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
700 1 |a Patel, Alpesh Kantilal,  |e author. 
776 0 8 |i Print version:  |a Siddiqui, Yasmeen  |t Storytellers of Art Histories  |d Bristol : Intellect Books Ltd,c2022  |z 9781789384277 
830 0 |a Living and sustaining a creative life. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvjw3  |z Texto completo 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL6926887 
938 |a EBSCOhost  |b EBSC  |n 3203544 
994 |a 92  |b IZTAP