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|a 1303908126
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|a 9780253062734
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|a UAMI
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|a You are tearing me apart, Lisa! :
|b the year's work on The room, the worst movie ever made /
|c edited by Adam M. Rosen.
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|a Year's work on The room, the worst movie ever made
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|a Bloomington, Indiana :
|b Indiana University Press,
|c [2022]
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|a 1 online resource (xiv, 222 pages) :
|b illustrations (some color).
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|a text
|b txt
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|a computer
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|2 rdamedia
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|a online resource
|b cr
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|a The year's work: studies in fan culture and cultural theory
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|a Includes bibliographical references and index.
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|a "When released in 2003, The Room, an obscure, self-financed relationship drama by Tommy Wiseau, should have been forgotten. And yet it has since become a cult classic, despite being crowned "the worst movie ever made" by many a critic. In You Are Tearing Me Apart, Lisa!, contributors explore this priceless cultural artifact, offering fans and film buffs critical insight into the movie's various meanings, historical context, and place in the cult canon. Even if by complete accident, The Room touches on many issues of modern concern, including sincerity, authenticity, badness, artistic value, gender relations, Americanness, Hollywood conventions, masculinity, and even the meaning of life. Revealing the timeless power of Wiseau's The Room, You Are Tearing Me Apart, Lisa! is a deeply entertaining deconstruction of an original work of all-American failure"--
|c Provided by publisher.
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|a Description based on online resource; title from digital title page (viewed on August 28, 2023).
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|a Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction Let's Toss the Ball Around: Adam M. Rosen -- Part I: Cliché and Convention, Misapplied -- 1. Chris-R's Gun: The Room as an Unconscious Parody of Hollywood Film Conventions: Carter Soles -- 2. Do You Understand Life? Do You?: Tommy Wiseau and the Anti-method Acting Style: James Curnow -- 3. "She Can't Love Anyone": The Evil Women and Tormented Men of The Room: Lenika Cruz -- Part II: Unlocking The Room
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|a 4. Is The Room Worse than Vertigo? The Aesthetic Philosophy of "So Bad It's Good": James MacDowell -- 5. Everybody Betray Me!: Revenge, Reverse Revenge, and Slave Morality in The Room: John Dyck -- 6. Anything for My Princess: Using Don Quixote to Bring (Some) Coherence to The Room: Adam M. Rosen -- 7. Crypto-Wiseaulogy: Uncovering Stanley Kubrick, Jewishness, and Judaism in The Room: Nathan Abrams -- Part III: Cult and the (Class) Room -- 8. I Just Like to Watch You Guys: How Screenings of The Room Give People Permission to Perform: Ellen Wright
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|a 9. The Room in the Classroom: How I Use a Bad Movie to Teach Good Filmmaking: Ross Morin -- 10. For the Love of Cult -- or, How I Learned to Stop Worrying and Build My Own Screening of The Room: Amanda Ann Klein -- Part IV: Fan Reception -- 11. How Can They Say This about Me?: Riffing Johnny, Lisa, and Denny in Online Home-Brew Commentaries of The Room: Matt Foy -- 12. "Can We Please Not Talk about James Franco?": How The Disaster Artist Threatened The Room's Fanbase: John Donegan -- 13. I'm Tired, I'm Wasted: The Room as a Waste of Time: Ernest Mathijs -- Part V: Constructing Tommy Wiseau
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|a 14. Oh Man, I Just Can't Figure You Out: Building the Persona of Tommy Wiseau through The Disaster Artist: Hario Satrio Priambodho -- 15. I'm an American, Just like You: The Room and American Cinema, Identity, and Masculinity: Landon Palmer -- 16. To Err Is Human, to Auteur, Divine: Tommy Wiseau as Auteur: Renee Middlemost -- 17. I Don't Have a Friend in the World: The Lonely Authenticity of Tommy Wiseau: Keith Kahn-Harris -- Works Cited -- Index
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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630 |
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|a Room (Motion picture)
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630 |
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|a Room (Motion picture)
|2 fast
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650 |
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|a PERFORMING ARTS / Film & Video / History & Criticism
|2 bisacsh
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655 |
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|a Film criticism
|2 fast
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|a Film criticism.
|2 lcgft
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|a Critiques cinématographiques.
|2 rvmgf
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700 |
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|a Rosen, Adam M.,
|e editor.
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776 |
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|i Print version:
|t You are tearing me apart, Lisa!
|d Bloomington, Indiana : Indiana University Press, [2022]
|z 9780253062710
|w (DLC) 2022003056
|
830 |
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0 |
|a Year's work (Bloomington, Ind.)
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2w9n25k
|z Texto completo
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|a ProQuest Ebook Central
|b EBLB
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|a 92
|b IZTAP
|