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Robert Heinecken and the art of appropriation /
"From the 1960s through the late 1990s, Robert Heinecken's controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual culture's relationship to gender and identity politics. Author Matthew Biro presents an exhaustive look at Hei...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
[2022]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Biro, Matthew, |e author. | |
| 245 | 1 | 0 | |a Robert Heinecken and the art of appropriation / |c Matthew Biro. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c [2022] | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (345 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 520 | |a "From the 1960s through the late 1990s, Robert Heinecken's controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual culture's relationship to gender and identity politics. Author Matthew Biro presents an exhaustive look at Heinecken's life and art in the first book-length study dedicated to the artist"-- |c Provided by publisher | ||
| 505 | 0 | |a Cover Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Introduction: Art, Photography, and the Consumption of Identity -- Chapter 1. Artist and Educator: Criticizing the American Family Ideal through 35mm Photography -- Chapter 2. Documents of Manufactured Experience: Appropriation and the Photogram in the 1960s -- Chapter 3. The Photographic Object: Heinecken's Materialism -- Chapter 4. Magazine Work: American Disaster and Identity -- Chapter 5. Art, Pornography, Painting: Heinecken's Relationship to Feminism | |
| 505 | 8 | |a Chapter 6. The Polaroid Experience: Instantaneous Photography and the Performance of Identity -- Chapter 7. Surrealism on TV: Ronald Reagan and the Newscasters -- Chapter 8. Appropriation in the 1980s and 1990s: History and the Body at the End of the Analog Era -- Coda: Heinecken's Significance -- Acknowledgments -- Notes -- Index -- About the Author | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Heinecken, Robert, |d 1931-2006 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Heinecken, Robert, |d 1931-2006 |2 fast |
| 650 | 0 | |a Appropriation (Art) |z United States. | |
| 650 | 6 | |a Appropriation (Art) |z États-Unis. | |
| 650 | 7 | |a ART |x Individual Artists |x General. |2 bisacsh | |
| 650 | 7 | |a Appropriation (Art) |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Biro, Matthew. |t Robert Heinecken and the Art of Appropriation. |d Minneapolis : University of Minnesota Press, ©2022 |z 9781517904647 |
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